Back to results

Texas Woman's University

A rhetorical legacy: the art of memory's place in literature and semiotics

Abstract

dc:description.abstract

Classical rhetoric's five parts consist of invention, arrangement, style, memory, and delivery. The first three now enjoy privileged status in modern rhetorics, whereas the latter two have all but disappeared from view. Cicero's rhetoric certainly included all five canons of rhetoric. In De Oratore, his version of the art of memory focuses on order, place, and symbol. Using Cicero's three terms, this study investigates semiotics (as an offshoot of memoria) and representative literary works, and provides that the art of memory has a multitude of heirs and forms. This dissertation touches on many aspects of memoria, eventually linking the art to metacognition and semiotics. The study examines the poetic theory of Chaucer as exemplified by his dream visions, revealing the connection between the art of memory and Chaucer's invention practice. The study also places Renaissance memoria in its proper context--as genesis of the commonplace book and the emblem. But in the examination process, I discovered memoria's contribution to alchemy, Hermeticism, the metaphysical conceit, and that uniquely seventeenth-century production--wit. The study also examines the relationships between the Romantics and the seventeenth-century poet, John Donne, proving that Romanticism and the metaphysical conceit both contain elements from the art of memory. The Romantics' affinity for memory also stems, in part, from the work of George Campbell, an eighteenth-century rhetorician, whose faculty psychology theories move memory to a place between the understanding and the will. Finally, Umberto Eco's novel, The Name of the Rose, containing a semiotic-based memory labyrinth, illustrates the timelessness of the art of memory. This work raises questions about the relationship between the classical/rhetorical concept of memory and the processes of creativity and writing. Further study of the classical art of memory can enhance the writing process.

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English
Grantor
Texas Woman's University
Year dc:date.issued
1990

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Halford, Donna Allard
Chair dc:contributor.committeechair
  • Palmer, Joyce C.
Committee members dc:contributor.committeemember
  • Kobler, Turner S.
  • Bishop, Dean

Subjects

dc:subject × 7

Rights

Language dc:language.iso
en_US

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11274/9011
OAI identifier oai:identifier
oai:twu-ir.tdl.org:11274/9011

Chain of custody

source
Harvested from
Texas Woman's University
Base URL
twu-ir.tdl.org/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Halford, Donna Allard. A rhetorical legacy: the art of memory's place in literature and semiotics. Doctoral thesis, Texas Woman's University, 1990. http://hdl.handle.net/11274/9011