{"id":{"repo_id":"twu","oai_identifier":"oai:twu-ir.tdl.org:11274/15733"},"canonical_url":"https://search.dev.ndltd.org/etd/twu/oai:twu-ir.tdl.org:11274/15733","repository":{"repo_id":"twu","name":"Texas Woman's University","base_url":"https://twu-ir.tdl.org/server/oai/request"},"display":{"title":"Imposter phenomenon among BIPOC MT-BCs: Understanding how BIPOC music therapists experience imposter phenomenon","abstract":"The purpose of this phenomenological study was to understand how Black, Indigenous, People of Color (BIPOC) music therapists experience imposter phenomenon (IP) in the United States. The intent was to provide insight into under-represented groups within the field of music therapy and to increase conversations around imposter phenomenon to improve the field of music therapy for BIPOC music therapists. Data was collected through semi-structured interviews with four individuals who self-identified as having experienced feelings of IP due to being a BIPOC music therapist. Based on the results, three global themes were identified. The global themes included 1) Intersecting Identities Impact the Experience of IP, 2) A lack of discussion exists regarding music therapists of color who experience IP vs. music therapists who experience IP, and 3) Greater levels of IP are experienced by BIPOC music therapists when their ideas, thoughts, and culture are not valued and validated within the field.","abstract_html":"The purpose of this phenomenological study was to understand how Black, Indigenous, People of Color (BIPOC) music therapists experience imposter phenomenon (IP) in the United States. The intent was to provide insight into under-represented groups within the field of music therapy and to increase conversations around imposter phenomenon to improve the field of music therapy for BIPOC music therapists. Data was collected through semi-structured interviews with four individuals who self-identified as having experienced feelings of IP due to being a BIPOC music therapist. Based on the results, three global themes were identified. The global themes included 1) Intersecting Identities Impact the Experience of IP, 2) A lack of discussion exists regarding music therapists of color who experience IP vs. music therapists who experience IP, and 3) Greater levels of IP are experienced by BIPOC music therapists when their ideas, thoughts, and culture are not valued and validated within the field.","abstract_has_math":false,"creators":["Tirado, Katelyn M."],"institution":"Texas Woman's University","degree_name":"Master of Music Therapy","degree_level":null,"degree_discipline":"Music Therapy","degree_department":null,"school":null,"contributors":[],"advisors":["West, Rebecca"],"committee_chairs":[],"committee_members":["DiMaio, Lauren","Jensen, Joni"],"year":null,"date_issued":"Dec-23","date_published":"Dec-23","updated_at":"2026-07-24T05:05:15Z","subjects":["Music","Imposter phenomenon","BIPOC","Music therapy"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/11274/15733","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["West, Rebecca"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["DiMaio, Lauren","Jensen, Joni"]},{"key":"dc:creator","label":"Author","values":["Tirado, Katelyn M."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-02-08T21:12:55Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-02-08T21:12:55Z"]},{"key":"dc:date.issued","label":"Date","values":["Dec-23"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music Therapy"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music Therapy"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Texas Woman's University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Imposter phenomenon","BIPOC","Music therapy"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/11274/15733"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The purpose of this phenomenological study was to understand how Black, Indigenous, People of Color (BIPOC) music therapists experience imposter phenomenon (IP) in the United States. The intent was to provide insight into under-represented groups within the field of music therapy and to increase conversations around imposter phenomenon to improve the field of music therapy for BIPOC music therapists. Data was collected through semi-structured interviews with four individuals who self-identified as having experienced feelings of IP due to being a BIPOC music therapist. Based on the results, three global themes were identified. The global themes included 1) Intersecting Identities Impact the Experience of IP, 2) A lack of discussion exists regarding music therapists of color who experience IP vs. music therapists who experience IP, and 3) Greater levels of IP are experienced by BIPOC music therapists when their ideas, thoughts, and culture are not valued and validated within the field."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Imposter phenomenon among BIPOC MT-BCs: Understanding how BIPOC music therapists experience imposter phenomenon"]}]}],"canonical_facts":{"dc:contributor.advisor":["West, Rebecca"],"dc:contributor.committeemember":["DiMaio, Lauren","Jensen, Joni"],"dc:creator":["Tirado, Katelyn M."],"dc:date.accessioned":["2024-02-08T21:12:55Z"],"dc:date.available":["2024-02-08T21:12:55Z"],"dc:date.issued":["Dec-23"],"dc:description.abstract":["The purpose of this phenomenological study was to understand how Black, Indigenous, People of Color (BIPOC) music therapists experience imposter phenomenon (IP) in the United States. The intent was to provide insight into under-represented groups within the field of music therapy and to increase conversations around imposter phenomenon to improve the field of music therapy for BIPOC music therapists. Data was collected through semi-structured interviews with four individuals who self-identified as having experienced feelings of IP due to being a BIPOC music therapist. Based on the results, three global themes were identified. The global themes included 1) Intersecting Identities Impact the Experience of IP, 2) A lack of discussion exists regarding music therapists of color who experience IP vs. music therapists who experience IP, and 3) Greater levels of IP are experienced by BIPOC music therapists when their ideas, thoughts, and culture are not valued and validated within the field."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/11274/15733"],"dc:subject":["Music","Imposter phenomenon","BIPOC","Music therapy"],"dc:title":["Imposter phenomenon among BIPOC MT-BCs: Understanding how BIPOC music therapists experience imposter phenomenon"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music Therapy"],"thesis:degree_name":["Master of Music Therapy"],"thesis:institution_name":["Texas Woman's University"]},"updated_at":"2026-07-24T05:05:15Z"}