{"id":{"repo_id":"toronto-retro","oai_identifier":"oai:utoronto.scholaris.ca:1807/74814"},"canonical_url":"https://search.dev.ndltd.org/etd/toronto-retro/oai:utoronto.scholaris.ca:1807/74814","repository":{"repo_id":"toronto-retro","name":"University of Toronto","base_url":"https://utoronto.scholaris.ca/server/oai/request"},"display":{"title":"Text and Image in Contemporary Mexican Narrative: The Effect of Interdisciplinarity in Six Novels","abstract":"In this thesis I demonstrate that the inclusion of images in Mexican literary texts published during the last twenty years--whether these images are physically present or verbally described--function as a tool of formal and conceptual power. I propose that this tool substantially adds to the text's meaning and possible impact on the reader. The temporal frame for the selection of the literary work stems from a growing attention to the visual arts; in Mexico specifically it is based on the important promotion given to interdisciplinary work since the creation of the National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA) in 1989. The thesis is divided into three chapters that explore the following works:","abstract_html":"In this thesis I demonstrate that the inclusion of images in Mexican literary texts published during the last twenty years--whether these images are physically present or verbally described--function as a tool of formal and conceptual power. I propose that this tool substantially adds to the text's meaning and possible impact on the reader. The temporal frame for the selection of the literary work stems from a growing attention to the visual arts; in Mexico specifically it is based on the important promotion given to interdisciplinary work since the creation of the National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA) in 1989. 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