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University of Toronto

Containing Meaning: Miniature Pottery on Bronze Age Crete

Abstract

dc:description.abstract

Often assumed to be ritual votives or toys for children, miniature ceramic vessels in the Bronze Age Aegean have been afforded little thorough study. Their presence at peak sanctuaries, sacred caves, and shrines on Crete has led to their uncritical association with ritual activity, even outside of sacred areas. When miniature pots are found in domestic spaces, they are often dismissed as objects of household ritual or simple toys. Yet miniature vessels, diverse in form and context, are so pervasive in archaeological investigations of Minoan settlements that they merit further comprehensive study. Considered alongside the abundance of small-scale Minoan material culture, including figurines, seals, miniature wall paintings, and models, miniature pottery appears to be one facet of a larger semiotic ideology – one well-versed in the language and power of the miniature. This thesis investigates the use, significance, and meaning of miniature ceramic vessels in settlements on Minoan Crete. By analyzing 504 miniature pots from thirteen sites in central and east Crete, it explores the wide range of miniature types used in the Protopalatial and Neopalatial periods and applies contextual analysis to draw out their meanings. The data is informed by a review of miniature studies over time, particularly in the fields of Aegean and Greek archaeology. Understandings of miniatures outside of the ancient Mediterranean are also examined as particularly useful case studies which bring new perspectives to the phenomenon of scale manipulation. Contextualization and data analysis reveal two distinct categories within the corpus of miniature pots: “micro-miniatures” and “small miniatures.” While micro-miniatures were indeed inherently cultic, small miniatures served a variety of practical functions within the world of Minoan Crete and should not be assumed to relate to ritual. To differentiate between the categories, the relationship between the miniature and its prototype, as well as its semiotic meaning are considered. By applying Peircean understandings of iconicity and indexicality to these two categories, and investigating the cognitive effects of miniaturization and ritual material culture, the use and significance of Bronze Age miniature vessels are further illuminated, in ritual and beyond.

Degree

thesis:*
Department dc:contributor.department
History of Art
Year dc:date.issued
2021

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Dewan, Rachel Grace
Advisor dc:contributor.advisor
  • Knappett, Carl

Subjects

dc:subject × 5

Rights

dc:rights
Statement dc:rights
  • Attribution-NonCommercial-NoDerivatives 4.0 International

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1807/130831
OAI identifier oai:identifier
oai:utoronto.scholaris.ca:1807/130831

Chain of custody

source
Harvested from
University of Toronto
Base URL
utoronto.scholaris.ca/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Dewan, Rachel Grace. Containing Meaning: Miniature Pottery on Bronze Age Crete. 2021. http://hdl.handle.net/1807/130831