{"id":{"repo_id":"the-open-u","oai_identifier":"oai:oro.open.ac.uk:57334"},"canonical_url":"https://search.dev.ndltd.org/etd/the-open-u/oai:oro.open.ac.uk:57334","repository":{"repo_id":"the-open-u","name":"The Open University","base_url":"https://oro.open.ac.uk/cgi/oai2"},"display":{"title":"The divine horseman in the art of the western Roman Empire","abstract":"This thesis examines the image of the mounted god in the western provinces of the Roman Empire. Artists in the provinces often turned to Roman, actually Graeco-Roman, models when developing an iconographical form for local deities. The thesis investigates the transformation of Graeco-Roman imagery and looks at the way artists adapted the Roman forms which would have become familiar to them with the advance of the Roman army and Roman settlement in the provinces of the western part of the empire. The mounted gods discussed are the Celtic Mars and Jupiter, whose Roman names conceal their Celtic identity, Epona, the Dioscuri in the western Empire, the Thracian Rider and the Danubian Rider cult.","abstract_html":"This thesis examines the image of the mounted god in the western provinces of the Roman Empire. Artists in the provinces often turned to Roman, actually Graeco-Roman, models when developing an iconographical form for local deities. The thesis investigates the transformation of Graeco-Roman imagery and looks at the way artists adapted the Roman forms which would have become familiar to them with the advance of the Roman army and Roman settlement in the provinces of the western part of the empire. The mounted gods discussed are the Celtic Mars and Jupiter, whose Roman names conceal their Celtic identity, Epona, the Dioscuri in the western Empire, the Thracian Rider and the Danubian Rider cult.","abstract_has_math":false,"creators":["Mackintosh, Majorie Carol"],"institution":"The Open University","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992","date_published":"1992","updated_at":"2026-07-24T05:03:03Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Mackintosh, Majorie Carol"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1992"]},{"key":"dc:date.issued","label":"Date","values":["1992"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["The Open University"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://oro.open.ac.uk/57334/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://oro.open.ac.uk/57334/1/303404.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines the image of the mounted god in the western provinces of the Roman Empire. Artists in the provinces often turned to Roman, actually Graeco-Roman, models when developing an iconographical form for local deities. The thesis investigates the transformation of Graeco-Roman imagery and looks at the way artists adapted the Roman forms which would have become familiar to them with the advance of the Roman army and Roman settlement in the provinces of the western part of the empire. The mounted gods discussed are the Celtic Mars and Jupiter, whose Roman names conceal their Celtic identity, Epona, the Dioscuri in the western Empire, the Thracian Rider and the Danubian Rider cult."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["The divine horseman in the art of the western Roman Empire"]}]}],"canonical_facts":{"dc:creator":["Mackintosh, Majorie Carol"],"dc:date":["1992"],"dc:date.issued":["1992"],"dc:description.abstract":["This thesis examines the image of the mounted god in the western provinces of the Roman Empire. Artists in the provinces often turned to Roman, actually Graeco-Roman, models when developing an iconographical form for local deities. The thesis investigates the transformation of Graeco-Roman imagery and looks at the way artists adapted the Roman forms which would have become familiar to them with the advance of the Roman army and Roman settlement in the provinces of the western part of the empire. The mounted gods discussed are the Celtic Mars and Jupiter, whose Roman names conceal their Celtic identity, Epona, the Dioscuri in the western Empire, the Thracian Rider and the Danubian Rider cult."],"dc:format":["application/pdf"],"dc:identifier.uri":["https://oro.open.ac.uk/57334/1/303404.pdf"],"dc:language":["en"],"dc:publisher.institution":["The Open University"],"dc:relation.isreferencedby":["https://oro.open.ac.uk/57334/"],"dc:title":["The divine horseman in the art of the western Roman Empire"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["phd"]},"updated_at":"2026-07-24T05:03:03Z"}