{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/ETD-UT-2010-08-1631"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/ETD-UT-2010-08-1631","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Egypt is mother of the world : transnational television and national identity","abstract":"This dissertation is about the production of national identity in the transnational age. Focusing on the specific example of Egyptian television, this dissertation argues that new production imperatives, mainly in satellite television and internet, have changed the way that television is produced in the Arabic speaking Middle East, most significantly away from direct state control. The changes in production accompany changes in distribution and consumption of electronic media and are significantly rewriting the ways that shared cultural identities in the Middle East, including nationalism, religious, and other significant identities, are produced, consumed and replicated. This dissertation approaches these topics by relating two specific televisual texts, the Ramadan serials Malek Farouq and Gamal Abdel Nasser, to larger changes in Arab and Egyptian television production.","abstract_html":"This dissertation is about the production of national identity in the transnational age. Focusing on the specific example of Egyptian television, this dissertation argues that new production imperatives, mainly in satellite television and internet, have changed the way that television is produced in the Arabic speaking Middle East, most significantly away from direct state control. The changes in production accompany changes in distribution and consumption of electronic media and are significantly rewriting the ways that shared cultural identities in the Middle East, including nationalism, religious, and other significant identities, are produced, consumed and replicated. This dissertation approaches these topics by relating two specific televisual texts, the Ramadan serials Malek Farouq and Gamal Abdel Nasser, to larger changes in Arab and Egyptian television production.","abstract_has_math":false,"creators":["Elseewi, Tarik Ahmed"],"institution":"University of Texas at Austin","degree_name":"Doctor of Philosophy","degree_level":"Doctoral","degree_discipline":"Radio-Television-Film","degree_department":null,"school":null,"contributors":[],"advisors":["Kumar, Shanti"],"committee_chairs":[],"committee_members":["Kackman, Michael","Wilkins, Karin G.","Straubhaar, Joe","Kraidy, Marwan"],"year":2010,"date_issued":"2010-08","date_published":"2010-08","updated_at":"2026-07-24T05:01:00Z","subjects":["Egypt","Egyptian media","King Farouq","Gamal Abdel Nasser","Television","National identity","Globalization","Transnational television","Arabic television","Satellite broadcasting","Cultural identity","Media and Islam","MBC"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2152/ETD-UT-2010-08-1631","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Kumar, Shanti"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Kackman, Michael","Wilkins, Karin G.","Straubhaar, Joe","Kraidy, Marwan"]},{"key":"dc:creator","label":"Author","values":["Elseewi, Tarik Ahmed"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2010-12-03T21:01:58Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2010-12-03T21:01:58Z","2010-12-03T21:02:11Z"]},{"key":"dc:date.issued","label":"Date","values":["2010-08"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Radio-Television-Film"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Egypt","Egyptian media","King Farouq","Gamal Abdel Nasser","Television","National identity","Globalization","Transnational television","Arabic television","Satellite broadcasting","Cultural identity","Media and Islam","MBC"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2152/ETD-UT-2010-08-1631"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["text"]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation is about the production of national identity in the transnational age. Focusing on the specific example of Egyptian television, this dissertation argues that new production imperatives, mainly in satellite television and internet, have changed the way that television is produced in the Arabic speaking Middle East, most significantly away from direct state control. The changes in production accompany changes in distribution and consumption of electronic media and are significantly rewriting the ways that shared cultural identities in the Middle East, including nationalism, religious, and other significant identities, are produced, consumed and replicated. 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Focusing on the specific example of Egyptian television, this dissertation argues that new production imperatives, mainly in satellite television and internet, have changed the way that television is produced in the Arabic speaking Middle East, most significantly away from direct state control. The changes in production accompany changes in distribution and consumption of electronic media and are significantly rewriting the ways that shared cultural identities in the Middle East, including nationalism, religious, and other significant identities, are produced, consumed and replicated. 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