{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/81156"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/81156","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Frost, for jazz orchestra : exploring new conceptual, harmonic, formal, and timbral approaches to jazz composition","abstract":"The following text is a conceptual and formal analysis of a new jazz orchestra work premiered by the University of Texas Jazz Orchestra on April 13, 2019. The piece, Frost, explores new conceptual and structural devices inspired by the works and writings of various 20th century and contemporary composers from both the classical and jazz traditions. By exploring tonal, timbral, and formal concepts not typically associated with jazz writing, I hope the piece, and this document, will provide new possibilities for creative exploration to composers of jazz ensemble works","abstract_html":"The following text is a conceptual and formal analysis of a new jazz orchestra work premiered by the University of Texas Jazz Orchestra on April 13, 2019. The piece, Frost, explores new conceptual and structural devices inspired by the works and writings of various 20th century and contemporary composers from both the classical and jazz traditions. By exploring tonal, timbral, and formal concepts not typically associated with jazz writing, I hope the piece, and this document, will provide new possibilities for creative exploration to composers of jazz ensemble works","abstract_has_math":false,"creators":["Retamozo, Alan Jordi"],"institution":"The University of Texas at Austin","degree_name":"Master of Music","degree_level":"Masters","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Mills, John (Saxophonist)"],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-05","date_published":"2019-05","updated_at":"2026-07-24T05:01:12Z","subjects":["Jazz","Jazz orchestra","Composition","New music","Timbre","Improvisation","Jazz composition","Polytonal","Polytonality","Orchestration"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://dx.doi.org/10.26153/tsw/8169"],"render_values":[{"text":"http://dx.doi.org/10.26153/tsw/8169","href":"http://dx.doi.org/10.26153/tsw/8169","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/2152/81156","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Mills, John (Saxophonist)"]},{"key":"dc:creator","label":"Author","values":["Retamozo, Alan Jordi"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2020-05-04T18:53:59Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2020-05-04T18:53:59Z"]},{"key":"dc:date.issued","label":"Date","values":["2019-05"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Jazz","Jazz orchestra","Composition","New music","Timbre","Improvisation","Jazz composition","Polytonal","Polytonality","Orchestration"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2152/81156","http://dx.doi.org/10.26153/tsw/8169"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The following text is a conceptual and formal analysis of a new jazz orchestra work premiered by the University of Texas Jazz Orchestra on April 13, 2019. 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By exploring tonal, timbral, and formal concepts not typically associated with jazz writing, I hope the piece, and this document, will provide new possibilities for creative exploration to composers of jazz ensemble works"],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2152/81156","http://dx.doi.org/10.26153/tsw/8169"],"dc:language.iso":["en"],"dc:subject":["Jazz","Jazz orchestra","Composition","New music","Timbre","Improvisation","Jazz composition","Polytonal","Polytonality","Orchestration"],"dc:title":["Frost, for jazz orchestra : exploring new conceptual, harmonic, formal, and timbral approaches to jazz composition"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Music"],"thesis:institution_name":["The University of Texas at Austin"]},"updated_at":"2026-07-24T05:01:12Z"}