{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/68491"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/68491","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Cry wolf : an opera for young audiences","abstract":"Cry Wolf is a seventy-minute chamber opera for young audiences based on characters from Aesop’s fables, with a libretto by William Glick. A semi-staged production was premiered in April 2017 at the Cohen New Works Festival at the University of Texas at Austin. The opera tells the story of the ‘Boy Who Cried Wolf’, and what happened after the Boy left the village and entered the forest to avenge his sheep. The original narrative was developed by William and myself, with characters and morals borrowed from the ancient Greek fabulist, Aesop. While the work was created for young audiences, it is my hope that the music and story will resonate with audiences of all ages. The first chapter of this document examines the genesis of the story as well as my approach to writing a work for young audiences. The second chapter explores the nearly year-long process for developing the libretto through numerous rewrites and edits. And finally, the third chapter explores my musical decisions on the work, from the vocal writing to the character leitmotifs that ultimately defined the opera.","abstract_html":"Cry Wolf is a seventy-minute chamber opera for young audiences based on characters from Aesop’s fables, with a libretto by William Glick. A semi-staged production was premiered in April 2017 at the Cohen New Works Festival at the University of Texas at Austin. The opera tells the story of the ‘Boy Who Cried Wolf’, and what happened after the Boy left the village and entered the forest to avenge his sheep. The original narrative was developed by William and myself, with characters and morals borrowed from the ancient Greek fabulist, Aesop. While the work was created for young audiences, it is my hope that the music and story will resonate with audiences of all ages. The first chapter of this document examines the genesis of the story as well as my approach to writing a work for young audiences. The second chapter explores the nearly year-long process for developing the libretto through numerous rewrites and edits. And finally, the third chapter explores my musical decisions on the work, from the vocal writing to the character leitmotifs that ultimately defined the opera.","abstract_has_math":false,"creators":["Heppelmann, Alex James"],"institution":"The University of Texas at Austin","degree_name":"Doctor of Musical Arts","degree_level":"Doctoral","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Sharlat, Yevgeniy, 1977-"],"committee_chairs":[],"committee_members":["Welcher, Dan","Pinkston, Russell","Alrutz, Megan","Kuo, Kelly"],"year":2017,"date_issued":"2017-08","date_published":"2017-08","updated_at":"2026-07-24T05:01:18Z","subjects":["Opera","Aesop's Fables","Young audiences","The boy who cried wolf"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["doi:10.15781/T20Z71G1J"],"render_values":[{"text":"doi:10.15781/T20Z71G1J","href":"https://doi.org/10.15781/T20Z71G1J","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2152/68491","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Sharlat, Yevgeniy, 1977-"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Welcher, Dan","Pinkston, Russell","Alrutz, Megan","Kuo, Kelly"]},{"key":"dc:creator","label":"Author","values":["Heppelmann, Alex James"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-09-19T20:55:07Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-09-19T20:55:07Z"]},{"key":"dc:date.issued","label":"Date","values":["2017-08"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Opera","Aesop's Fables","Young audiences","The boy who cried wolf"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["doi:10.15781/T20Z71G1J"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2152/68491"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Cry Wolf is a seventy-minute chamber opera for young audiences based on characters from Aesop’s fables, with a libretto by William Glick. A semi-staged production was premiered in April 2017 at the Cohen New Works Festival at the University of Texas at Austin. The opera tells the story of the ‘Boy Who Cried Wolf’, and what happened after the Boy left the village and entered the forest to avenge his sheep. The original narrative was developed by William and myself, with characters and morals borrowed from the ancient Greek fabulist, Aesop. While the work was created for young audiences, it is my hope that the music and story will resonate with audiences of all ages. The first chapter of this document examines the genesis of the story as well as my approach to writing a work for young audiences. The second chapter explores the nearly year-long process for developing the libretto through numerous rewrites and edits. And finally, the third chapter explores my musical decisions on the work, from the vocal writing to the character leitmotifs that ultimately defined the opera."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Cry wolf : an opera for young audiences"]}]}],"canonical_facts":{"dc:contributor.advisor":["Sharlat, Yevgeniy, 1977-"],"dc:contributor.committeemember":["Welcher, Dan","Pinkston, Russell","Alrutz, Megan","Kuo, Kelly"],"dc:creator":["Heppelmann, Alex James"],"dc:date.accessioned":["2018-09-19T20:55:07Z"],"dc:date.available":["2018-09-19T20:55:07Z"],"dc:date.issued":["2017-08"],"dc:description.abstract":["Cry Wolf is a seventy-minute chamber opera for young audiences based on characters from Aesop’s fables, with a libretto by William Glick. A semi-staged production was premiered in April 2017 at the Cohen New Works Festival at the University of Texas at Austin. The opera tells the story of the ‘Boy Who Cried Wolf’, and what happened after the Boy left the village and entered the forest to avenge his sheep. The original narrative was developed by William and myself, with characters and morals borrowed from the ancient Greek fabulist, Aesop. While the work was created for young audiences, it is my hope that the music and story will resonate with audiences of all ages. The first chapter of this document examines the genesis of the story as well as my approach to writing a work for young audiences. The second chapter explores the nearly year-long process for developing the libretto through numerous rewrites and edits. And finally, the third chapter explores my musical decisions on the work, from the vocal writing to the character leitmotifs that ultimately defined the opera."],"dc:format.mimetype":["application/pdf"],"dc:identifier":["doi:10.15781/T20Z71G1J"],"dc:identifier.uri":["http://hdl.handle.net/2152/68491"],"dc:language.iso":["en"],"dc:subject":["Opera","Aesop's Fables","Young audiences","The boy who cried wolf"],"dc:title":["Cry wolf : an opera for young audiences"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Doctor of Musical Arts"],"thesis:institution_name":["The University of Texas at Austin"]},"updated_at":"2026-07-24T05:01:18Z"}