{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/41605"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/41605","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Unmaking him : Lee Daniels' Empire and the potential black masculine","abstract":"This paper uses Lee Daniels’ hit show Empire to examine the relationship between two fictional television brothers- Jamal and Hakeem Lyon. In examining this relationship, I employ black feminist and black queer theory to interrogate the ways in which Lee Daniels’ particular representation lends to an expansion of current notions of black masculinity within the quotidian. I argue that through re-representing the ways in which black men interact and are intimate, Empire helps to unmake ideals of black masculinity steeped in stabilizing patriarchy and moves to expand what and how black men can be. Through imagining that the promise of black feminist and black queer theory is the ability to remake self outside of the normative, this project moves in the vein of such to imagine what potential alternative black masculinities look like.","abstract_html":"This paper uses Lee Daniels’ hit show Empire to examine the relationship between two fictional television brothers- Jamal and Hakeem Lyon. In examining this relationship, I employ black feminist and black queer theory to interrogate the ways in which Lee Daniels’ particular representation lends to an expansion of current notions of black masculinity within the quotidian. I argue that through re-representing the ways in which black men interact and are intimate, Empire helps to unmake ideals of black masculinity steeped in stabilizing patriarchy and moves to expand what and how black men can be. Through imagining that the promise of black feminist and black queer theory is the ability to remake self outside of the normative, this project moves in the vein of such to imagine what potential alternative black masculinities look like.","abstract_has_math":false,"creators":["Griffin, Jeremy O'Brian"],"institution":"The University of Texas at Austin","degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"African and African diaspora studies","degree_department":null,"school":null,"contributors":[],"advisors":["Livermon , Xavier"],"committee_chairs":[],"committee_members":["Richardson, Matt"],"year":2016,"date_issued":"2016-05","date_published":"2016-05","updated_at":"2026-07-24T05:01:20Z","subjects":["Black feminism","Womanism","Black studies","African American studies","Black masculinity"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["doi:10.15781/T2DB7VR60"],"render_values":[{"text":"doi:10.15781/T2DB7VR60","href":"https://doi.org/10.15781/T2DB7VR60","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2152/41605","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Livermon , Xavier"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Richardson, Matt"]},{"key":"dc:creator","label":"Author","values":["Griffin, Jeremy O'Brian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-10-12T16:12:01Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-10-12T16:12:01Z"]},{"key":"dc:date.issued","label":"Date","values":["2016-05"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["African and African diaspora studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Black feminism","Womanism","Black studies","African American studies","Black masculinity"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["doi:10.15781/T2DB7VR60"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2152/41605"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This paper uses Lee Daniels’ hit show Empire to examine the relationship between two fictional television brothers- Jamal and Hakeem Lyon. 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