{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/3983"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/3983","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Modernization and music in contemporary China : crisis, identity, and the politics of style","abstract":"The modernization of Chinese culture has been a major feature of domestic policy since the Chinese Communist Party assumed political leadership in 1949. This modernization program has had profound effects upon indigenous musical practices. But the influence is mutual, for music, as a participant in modernization efforts, becomes a location both for legitimating and for subverting governmental policies. The overdetermined process of this dialectic has produced a contemporary cultural crisis: a crisis of national identity. This dissertation draws on ethnography, historical analysis and critical theory in an attempt to understand the concrete configurations of this historically situated crisis in three different cultural domains: Peking Opera, popular music and "serious" music. It will be shown that clashes of hegemonic strategies -- struggles within the relations of power -- are in large part responsible for the crisis, and that these clashes and struggles occur in all three domains studied. However, the specific dynamic of this process differs within each domain. Each of the three central chapters of the dissertation is devoted to an analysis of the crisis in one domain. The final chapter synthesizes the analyses within the context of the Deng regime's goal of socialist construction: a socialism with Chinese characteristics.","abstract_html":"The modernization of Chinese culture has been a major feature of domestic policy since the Chinese Communist Party assumed political leadership in 1949. This modernization program has had profound effects upon indigenous musical practices. But the influence is mutual, for music, as a participant in modernization efforts, becomes a location both for legitimating and for subverting governmental policies. The overdetermined process of this dialectic has produced a contemporary cultural crisis: a crisis of national identity. This dissertation draws on ethnography, historical analysis and critical theory in an attempt to understand the concrete configurations of this historically situated crisis in three different cultural domains: Peking Opera, popular music and "serious" music. It will be shown that clashes of hegemonic strategies -- struggles within the relations of power -- are in large part responsible for the crisis, and that these clashes and struggles occur in all three domains studied. However, the specific dynamic of this process differs within each domain. Each of the three central chapters of the dissertation is devoted to an analysis of the crisis in one domain. The final chapter synthesizes the analyses within the context of the Deng regime's goal of socialist construction: a socialism with Chinese characteristics.","abstract_has_math":false,"creators":["Brace, Timothy Lane, 1951-"],"institution":"The University of Texas at Austin","degree_name":"Doctor of Philosophy","degree_level":"Doctoral","degree_discipline":"Musicology","degree_department":null,"school":null,"contributors":[],"advisors":["Slawek, Stephen"],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992","date_published":"1992","updated_at":"2026-07-24T05:01:02Z","subjects":[],"languages":["eng"],"rights":["Copyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["b70705720"],"render_values":[{"text":"b70705720","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2152/3983","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Slawek, Stephen"]},{"key":"dc:creator","label":"Author","values":["Brace, Timothy Lane, 1951-"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2008-08-29T00:23:51Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2008-08-29T00:23:51Z"]},{"key":"dc:date.issued","label":"Date","values":["1992"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author. 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But the influence is mutual, for music, as a participant in modernization efforts, becomes a location both for legitimating and for subverting governmental policies. The overdetermined process of this dialectic has produced a contemporary cultural crisis: a crisis of national identity. This dissertation draws on ethnography, historical analysis and critical theory in an attempt to understand the concrete configurations of this historically situated crisis in three different cultural domains: Peking Opera, popular music and "serious" music. It will be shown that clashes of hegemonic strategies -- struggles within the relations of power -- are in large part responsible for the crisis, and that these clashes and struggles occur in all three domains studied. However, the specific dynamic of this process differs within each domain. Each of the three central chapters of the dissertation is devoted to an analysis of the crisis in one domain. The final chapter synthesizes the analyses within the context of the Deng regime's goal of socialist construction: a socialism with Chinese characteristics."]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["electronic"]},{"key":"dc:title","label":"Title","values":["Modernization and music in contemporary China : crisis, identity, and the politics of style"]}]}],"canonical_facts":{"dc:contributor.advisor":["Slawek, Stephen"],"dc:creator":["Brace, Timothy Lane, 1951-"],"dc:date.accessioned":["2008-08-29T00:23:51Z"],"dc:date.available":["2008-08-29T00:23:51Z"],"dc:date.issued":["1992"],"dc:description":["text"],"dc:description.abstract":["The modernization of Chinese culture has been a major feature of domestic policy since the Chinese Communist Party assumed political leadership in 1949. This modernization program has had profound effects upon indigenous musical practices. But the influence is mutual, for music, as a participant in modernization efforts, becomes a location both for legitimating and for subverting governmental policies. The overdetermined process of this dialectic has produced a contemporary cultural crisis: a crisis of national identity. This dissertation draws on ethnography, historical analysis and critical theory in an attempt to understand the concrete configurations of this historically situated crisis in three different cultural domains: Peking Opera, popular music and "serious" music. It will be shown that clashes of hegemonic strategies -- struggles within the relations of power -- are in large part responsible for the crisis, and that these clashes and struggles occur in all three domains studied. However, the specific dynamic of this process differs within each domain. Each of the three central chapters of the dissertation is devoted to an analysis of the crisis in one domain. The final chapter synthesizes the analyses within the context of the Deng regime's goal of socialist construction: a socialism with Chinese characteristics."],"dc:format.medium":["electronic"],"dc:identifier":["b70705720"],"dc:identifier.uri":["http://hdl.handle.net/2152/3983"],"dc:language.iso":["eng"],"dc:rights":["Copyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works."],"dc:title":["Modernization and music in contemporary China : crisis, identity, and the politics of style"],"thesis:degree_discipline":["Musicology"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Doctor of Philosophy"],"thesis:institution_name":["The University of Texas at Austin"]},"updated_at":"2026-07-24T05:01:02Z"}