{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/25889"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/25889","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"Vincenzo Danti and the Medici court : constructing professional identity in late Renaissance Florence","abstract":"Vincenzo Danti (1530-1576), Perugian by birth and training, relocated to Florence in 1557 to work for the Medici court. While there, Danti completed visual and textual works oriented to the interests of Duke Cosimo I de’ Medici (1519-1574) and his son, Prince Francesco (1541-1587). Danti also participated in the literary and arts academies that were associated with the ducal program of establishing Florentine cultural supremacy. Danti’s multi-disciplinary activities during his tenure at the Medici court demonstrate his hopes to secure long-term patronage and to become the primary sculptor to the Medici dukes. This project represents both a reappraisal of Vincenzo Danti’s career and an examination of the ways that artists at the Medici court positioned themselves in relationship to their patrons and to one another.","abstract_html":"Vincenzo Danti (1530-1576), Perugian by birth and training, relocated to Florence in 1557 to work for the Medici court. While there, Danti completed visual and textual works oriented to the interests of Duke Cosimo I de’ Medici (1519-1574) and his son, Prince Francesco (1541-1587). Danti also participated in the literary and arts academies that were associated with the ducal program of establishing Florentine cultural supremacy. Danti’s multi-disciplinary activities during his tenure at the Medici court demonstrate his hopes to secure long-term patronage and to become the primary sculptor to the Medici dukes. This project represents both a reappraisal of Vincenzo Danti’s career and an examination of the ways that artists at the Medici court positioned themselves in relationship to their patrons and to one another.","abstract_has_math":false,"creators":["Proctor, Anne E."],"institution":"The University of Texas at Austin","degree_name":"Doctor of Philosophy","degree_level":"Doctoral","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":[],"advisors":["Waldman, Louis Alexander"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-08","date_published":"2013-08","updated_at":"2026-07-24T05:00:54Z","subjects":["Vincenzo Danti","Giorgio Vasari","Medici","Florence","Renaissance","Sculpture","Academies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2152/25889","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Waldman, Louis Alexander"]},{"key":"dc:creator","label":"Author","values":["Proctor, Anne E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-09-16T15:12:55Z"]},{"key":"dc:date.issued","label":"Date","values":["2013-08"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Vincenzo Danti","Giorgio Vasari","Medici","Florence","Renaissance","Sculpture","Academies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2152/25889"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["text"]},{"key":"dc:description.abstract","label":"Abstract","values":["Vincenzo Danti (1530-1576), Perugian by birth and training, relocated to Florence in 1557 to work for the Medici court. While there, Danti completed visual and textual works oriented to the interests of Duke Cosimo I de’ Medici (1519-1574) and his son, Prince Francesco (1541-1587). Danti also participated in the literary and arts academies that were associated with the ducal program of establishing Florentine cultural supremacy. Danti’s multi-disciplinary activities during his tenure at the Medici court demonstrate his hopes to secure long-term patronage and to become the primary sculptor to the Medici dukes. 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Danti also participated in the literary and arts academies that were associated with the ducal program of establishing Florentine cultural supremacy. Danti’s multi-disciplinary activities during his tenure at the Medici court demonstrate his hopes to secure long-term patronage and to become the primary sculptor to the Medici dukes. This project represents both a reappraisal of Vincenzo Danti’s career and an examination of the ways that artists at the Medici court positioned themselves in relationship to their patrons and to one another."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["http://hdl.handle.net/2152/25889"],"dc:subject":["Vincenzo Danti","Giorgio Vasari","Medici","Florence","Renaissance","Sculpture","Academies"],"dc:title":["Vincenzo Danti and the Medici court : constructing professional identity in late Renaissance Florence"],"dc:type":["Thesis"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Doctor of Philosophy"],"thesis:institution_name":["The University of Texas at Austin"]},"updated_at":"2026-07-24T05:00:54Z"}