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The material entities participate in such human phenomena as active agents, sorting and regulating them -- either in/via the human memory, or through the ways in which human emotions are channelled. In order to demonstrate the affective and embodied intimations by which material entities are attributed agency in Woolf’s stream-of-consciousness writing, the analysis draws on Bruno Latour’s theory of “protoactants,” Jane Bennett’s distinction between thingness and object-ness, as well as Stacy Alaimo’s theory, “trans-corporeality.”","abstract_html":"This report explores the agency of material entities in Virginia Woolf's autobiographically-influenced works, "A Sketch of the Past," and To the Lighthouse. It argues that Woolf's stream-of-consciousness aesthetics underscores the agency that material objects hold in, and via, human actions, encounters, and relationships. This agency comes about, or is manifested, through the ways in which these human actions, encounters, and relationships communicate emotion and affect. The material entities participate in such human phenomena as active agents, sorting and regulating them -- either in/via the human memory, or through the ways in which human emotions are channelled. In order to demonstrate the affective and embodied intimations by which material entities are attributed agency in Woolf’s stream-of-consciousness writing, the analysis draws on Bruno Latour’s theory of “protoactants,” Jane Bennett’s distinction between thingness and object-ness, as well as Stacy Alaimo’s theory, “trans-corporeality.”","abstract_has_math":false,"creators":["Aycicegi, Mustafa"],"institution":"The University of Texas at Austin","degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"Comparative Literature","degree_department":null,"school":null,"contributors":[],"advisors":["Richmond-Garza, Elizabeth M. 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It argues that Woolf's stream-of-consciousness aesthetics underscores the agency that material objects hold in, and via, human actions, encounters, and relationships. This agency comes about, or is manifested, through the ways in which these human actions, encounters, and relationships communicate emotion and affect. The material entities participate in such human phenomena as active agents, sorting and regulating them -- either in/via the human memory, or through the ways in which human emotions are channelled. In order to demonstrate the affective and embodied intimations by which material entities are attributed agency in Woolf’s stream-of-consciousness writing, the analysis draws on Bruno Latour’s theory of “protoactants,” Jane Bennett’s distinction between thingness and object-ness, as well as Stacy Alaimo’s theory, “trans-corporeality.”"]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["The immanent life of things : embodiment, materiality, and agency in Virginia Woolf’s “A sketch of the past,” and To the lighthouse"]}]}],"canonical_facts":{"dc:contributor.advisor":["Richmond-Garza, Elizabeth M. (Elizabeth Merle), 1964-"],"dc:contributor.committeemember":["Salgado, César"],"dc:creator":["Aycicegi, Mustafa"],"dc:date.accessioned":["2025-03-22T00:32:11Z"],"dc:date.available":["2025-03-22T00:32:11Z"],"dc:date.issued":["2024-12"],"dc:description.abstract":["This report explores the agency of material entities in Virginia Woolf's autobiographically-influenced works, "A Sketch of the Past," and To the Lighthouse. It argues that Woolf's stream-of-consciousness aesthetics underscores the agency that material objects hold in, and via, human actions, encounters, and relationships. This agency comes about, or is manifested, through the ways in which these human actions, encounters, and relationships communicate emotion and affect. The material entities participate in such human phenomena as active agents, sorting and regulating them -- either in/via the human memory, or through the ways in which human emotions are channelled. 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