{"id":{"repo_id":"texas","oai_identifier":"oai:repositories.lib.utexas.edu:2152/131087"},"canonical_url":"https://search.dev.ndltd.org/etd/texas/oai:repositories.lib.utexas.edu:2152/131087","repository":{"repo_id":"texas","name":"University of Texas","base_url":"https://repositories.lib.utexas.edu/server/oai/request"},"display":{"title":"We have always been here : world-traveling and digital praxis in cuir and trans Latine community-based archives","abstract":"Since the late 20th century, conceptions of archives and “the archive” have been contested and reimagined within the fields of Information Studies, Archival Studies, and the Humanities. The emerging field of critical archival studies has advanced understandings of archives that recognize the oppressive structures of cultural, political, and economic power that have shaped archival practice and the inclusion or exclusion of records in mainstream, institutional archives. Feminist, queer, and scholars of color have long critiqued and developed strategies to challenge the archival and historical silences experienced by those left out and obscured from dominant archives and historical narratives. Critical archival studies have turned to physical and digital community-based and grassroots archives as models for the liberatory power of memory work, but much of the current scholarship has focused solely on U.S.-based community archives. While this scholarship has provided useful frameworks to understand the potential of community archives beyond the recovery of history by looking to how memory work can shape and reshape communities themselves, scholarship has largely been focused on U.S.-based archives. This thesis turns to sociotechnical iterations of cuir (queer) and trans community archives based in Argentina and Honduras to build on existing scholarship in this field and acknowledge the ways in which cuir and trans Latine archivists, activists, artists, and memory workers develop and enact an archival praxis in the digital space. Drawing upon ideas of playfulness, “world”-traveling, and loving perception from feminist philosopher María Lugones, I argue that their archival praxis constitutes digital “worlds” that are accessed and traveled through vis-à-vis social media and online repositories, and in doing so, enact an activist ethos. Bridging Information Studies and queer theory, this thesis contributes to conversations about the digital archival turn by focusing on emerging cuir and trans archives in Latin America.","abstract_html":"Since the late 20th century, conceptions of archives and “the archive” have been contested and reimagined within the fields of Information Studies, Archival Studies, and the Humanities. The emerging field of critical archival studies has advanced understandings of archives that recognize the oppressive structures of cultural, political, and economic power that have shaped archival practice and the inclusion or exclusion of records in mainstream, institutional archives. Feminist, queer, and scholars of color have long critiqued and developed strategies to challenge the archival and historical silences experienced by those left out and obscured from dominant archives and historical narratives. Critical archival studies have turned to physical and digital community-based and grassroots archives as models for the liberatory power of memory work, but much of the current scholarship has focused solely on U.S.-based community archives. While this scholarship has provided useful frameworks to understand the potential of community archives beyond the recovery of history by looking to how memory work can shape and reshape communities themselves, scholarship has largely been focused on U.S.-based archives. This thesis turns to sociotechnical iterations of cuir (queer) and trans community archives based in Argentina and Honduras to build on existing scholarship in this field and acknowledge the ways in which cuir and trans Latine archivists, activists, artists, and memory workers develop and enact an archival praxis in the digital space. Drawing upon ideas of playfulness, “world”-traveling, and loving perception from feminist philosopher María Lugones, I argue that their archival praxis constitutes digital “worlds” that are accessed and traveled through vis-à-vis social media and online repositories, and in doing so, enact an activist ethos. Bridging Information Studies and queer theory, this thesis contributes to conversations about the digital archival turn by focusing on emerging cuir and trans archives in Latin America.","abstract_has_math":false,"creators":["Aslo de la Torre, Melissa"],"institution":"The University of Texas at Austin","degree_name":"Master of Science in Information Studies","degree_level":"Masters","degree_discipline":"Information Studies","degree_department":null,"school":null,"contributors":[],"advisors":["Cotera, María Eugenia, 1964-"],"committee_chairs":[],"committee_members":["Edgar Gomez Cruz"],"year":2024,"date_issued":"2024-05","date_published":"2024-05","updated_at":"2026-07-24T05:01:16Z","subjects":["Critical archival studies","Latin American studies","Digital archives","Queer theory","Social media"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://doi.org/10.26153/tsw/58433"],"render_values":[{"text":"https://doi.org/10.26153/tsw/58433","href":"https://doi.org/10.26153/tsw/58433","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/2152/131087","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Cotera, María Eugenia, 1964-"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Edgar Gomez Cruz"]},{"key":"dc:creator","label":"Author","values":["Aslo de la Torre, Melissa"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-02-08T01:30:49Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-02-08T01:30:49Z"]},{"key":"dc:date.issued","label":"Date","values":["2024-05"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Information Studies","Latin American Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Science in Information Studies","Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Texas at Austin"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Critical archival studies","Latin American studies","Digital archives","Queer theory","Social media"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2152/131087","https://doi.org/10.26153/tsw/58433"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Since the late 20th century, conceptions of archives and “the archive” have been contested and reimagined within the fields of Information Studies, Archival Studies, and the Humanities. 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While this scholarship has provided useful frameworks to understand the potential of community archives beyond the recovery of history by looking to how memory work can shape and reshape communities themselves, scholarship has largely been focused on U.S.-based archives. This thesis turns to sociotechnical iterations of cuir (queer) and trans community archives based in Argentina and Honduras to build on existing scholarship in this field and acknowledge the ways in which cuir and trans Latine archivists, activists, artists, and memory workers develop and enact an archival praxis in the digital space. Drawing upon ideas of playfulness, “world”-traveling, and loving perception from feminist philosopher María Lugones, I argue that their archival praxis constitutes digital “worlds” that are accessed and traveled through vis-à-vis social media and online repositories, and in doing so, enact an activist ethos. Bridging Information Studies and queer theory, this thesis contributes to conversations about the digital archival turn by focusing on emerging cuir and trans archives in Latin America."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["We have always been here : world-traveling and digital praxis in cuir and trans Latine community-based archives"]}]}],"canonical_facts":{"dc:contributor.advisor":["Cotera, María Eugenia, 1964-"],"dc:contributor.committeemember":["Edgar Gomez Cruz"],"dc:creator":["Aslo de la Torre, Melissa"],"dc:date.accessioned":["2025-02-08T01:30:49Z"],"dc:date.available":["2025-02-08T01:30:49Z"],"dc:date.issued":["2024-05"],"dc:description.abstract":["Since the late 20th century, conceptions of archives and “the archive” have been contested and reimagined within the fields of Information Studies, Archival Studies, and the Humanities. 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While this scholarship has provided useful frameworks to understand the potential of community archives beyond the recovery of history by looking to how memory work can shape and reshape communities themselves, scholarship has largely been focused on U.S.-based archives. This thesis turns to sociotechnical iterations of cuir (queer) and trans community archives based in Argentina and Honduras to build on existing scholarship in this field and acknowledge the ways in which cuir and trans Latine archivists, activists, artists, and memory workers develop and enact an archival praxis in the digital space. Drawing upon ideas of playfulness, “world”-traveling, and loving perception from feminist philosopher María Lugones, I argue that their archival praxis constitutes digital “worlds” that are accessed and traveled through vis-à-vis social media and online repositories, and in doing so, enact an activist ethos. Bridging Information Studies and queer theory, this thesis contributes to conversations about the digital archival turn by focusing on emerging cuir and trans archives in Latin America."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2152/131087","https://doi.org/10.26153/tsw/58433"],"dc:language.iso":["English"],"dc:subject":["Critical archival studies","Latin American studies","Digital archives","Queer theory","Social media"],"dc:title":["We have always been here : world-traveling and digital praxis in cuir and trans Latine community-based archives"],"dc:type":["Thesis"],"thesis:degree_discipline":["Information Studies","Latin American Studies"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Science in Information Studies","Master of Arts"],"thesis:institution_name":["The University of Texas at Austin"]},"updated_at":"2026-07-24T05:01:16Z"}