{"id":{"repo_id":"texas-state","oai_identifier":"oai:digital.library.txst.edu:10877/5062"},"canonical_url":"https://search.dev.ndltd.org/etd/texas-state/oai:digital.library.txst.edu:10877/5062","repository":{"repo_id":"texas-state","name":"Texas State University","base_url":"https://digital.library.txst.edu/server/oai/request"},"display":{"title":"Eastern European Cinema vs. Hollywood: Bosnia War Films","abstract":"The Bosnian War was a conflict that occurred in a little known European country after the fall of the Iron Curtain and break-up of Yugoslavia in the early 1990s. The purpose of this study is to compare and contrast the films from the Hollywood and Eastern European arenas. This study will specifically examine the Hollywood blockbuster Behind Enemy Lines and the Serbian film, Pretty Village, Pretty Flame in contrast with one another. Each of these films creates a discourse which influences many other films about the war and how films about the conflict are presented.","abstract_html":"The Bosnian War was a conflict that occurred in a little known European country after the fall of the Iron Curtain and break-up of Yugoslavia in the early 1990s. The purpose of this study is to compare and contrast the films from the Hollywood and Eastern European arenas. This study will specifically examine the Hollywood blockbuster Behind Enemy Lines and the Serbian film, Pretty Village, Pretty Flame in contrast with one another. Each of these films creates a discourse which influences many other films about the war and how films about the conflict are presented.","abstract_has_math":false,"creators":["Moore, Stephanie Lauren"],"institution":"Texas State University","degree_name":null,"degree_level":null,"degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":["McClancy, Kathleen"],"committee_chairs":[],"committee_members":["Golato, Peter"],"year":2014,"date_issued":"2014-05","date_published":"2014-05","updated_at":"2026-07-27T21:22:30Z","subjects":["film criticism","stereotypes","Bosnian War","film theory","film history"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10877/5062","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["McClancy, Kathleen"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Golato, Peter"]},{"key":"dc:creator","label":"Author","values":["Moore, Stephanie Lauren"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-06-05T17:02:02Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-06-05T17:02:02Z"]},{"key":"dc:date.issued","label":"Date","values":["2014-05"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Texas State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["film criticism","stereotypes","Bosnian War","film theory","film history"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10877/5062"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The Bosnian War was a conflict that occurred in a little known European country after the fall of the Iron Curtain and break-up of Yugoslavia in the early 1990s. The purpose of this study is to compare and contrast the films from the Hollywood and Eastern European arenas. This study will specifically examine the Hollywood blockbuster Behind Enemy Lines and the Serbian film, Pretty Village, Pretty Flame in contrast with one another. Each of these films creates a discourse which influences many other films about the war and how films about the conflict are presented."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["1 file (.pdf)"]},{"key":"dc:title","label":"Title","values":["Eastern European Cinema vs. Hollywood: Bosnia War Films"]}]}],"canonical_facts":{"dc:contributor.advisor":["McClancy, Kathleen"],"dc:contributor.committeemember":["Golato, Peter"],"dc:creator":["Moore, Stephanie Lauren"],"dc:date.accessioned":["2014-06-05T17:02:02Z"],"dc:date.available":["2014-06-05T17:02:02Z"],"dc:date.issued":["2014-05"],"dc:description.abstract":["The Bosnian War was a conflict that occurred in a little known European country after the fall of the Iron Curtain and break-up of Yugoslavia in the early 1990s. The purpose of this study is to compare and contrast the films from the Hollywood and Eastern European arenas. This study will specifically examine the Hollywood blockbuster Behind Enemy Lines and the Serbian film, Pretty Village, Pretty Flame in contrast with one another. Each of these films creates a discourse which influences many other films about the war and how films about the conflict are presented."],"dc:format":["Text"],"dc:format.medium":["1 file (.pdf)"],"dc:identifier.uri":["https://hdl.handle.net/10877/5062"],"dc:language.iso":["en"],"dc:subject":["film criticism","stereotypes","Bosnian War","film theory","film history"],"dc:title":["Eastern European Cinema vs. Hollywood: Bosnia War Films"],"dc:type":["Thesis"],"thesis:degree_discipline":["English"],"thesis:institution_name":["Texas State University"]},"updated_at":"2026-07-27T21:22:30Z"}