{"id":{"repo_id":"texas-state","oai_identifier":"oai:digital.library.txst.edu:10877/19955"},"canonical_url":"https://search.dev.ndltd.org/etd/texas-state/oai:digital.library.txst.edu:10877/19955","repository":{"repo_id":"texas-state","name":"Texas State University","base_url":"https://digital.library.txst.edu/server/oai/request"},"display":{"title":"Religion and Proto-Feminism in Victorian Women's Poetry","abstract":"This thesis analyzes the Victorian women poets Christina Rossetti, Elizabeth Barrett Browning, and Amy Levy and their use of religion in their proto-feminist works, “Goblin Market” (Rossetti), the verse novel Aurora Leigh (Barrett Browning), and the dramatic monologues “Xantippe,” (1881) “Magdalen,” (1884) and “A Prayer” (1881) (Levy). This thesis examines the secular and religious institutions that these authors are tackling in their respective texts, looking at marriage specifically as the primary institution for Victorian women, considers the tales of sisterhood and the importance of relationships between women in these texts, and addresses expressions of female sexuality, sin, and religious imagery found throughout the writings of Rossetti, Barrett Browning, and Levy. Finally, this thesis will assess how these texts affected early feminist ideas and how the critical conversation has shifted in recent years to examine how this relationship between feminist ideas and patriarchal religions can coexist when women are allowed to reclaim their voice.","abstract_html":"This thesis analyzes the Victorian women poets Christina Rossetti, Elizabeth Barrett Browning, and Amy Levy and their use of religion in their proto-feminist works, “Goblin Market” (Rossetti), the verse novel Aurora Leigh (Barrett Browning), and the dramatic monologues “Xantippe,” (1881) “Magdalen,” (1884) and “A Prayer” (1881) (Levy). This thesis examines the secular and religious institutions that these authors are tackling in their respective texts, looking at marriage specifically as the primary institution for Victorian women, considers the tales of sisterhood and the importance of relationships between women in these texts, and addresses expressions of female sexuality, sin, and religious imagery found throughout the writings of Rossetti, Barrett Browning, and Levy. Finally, this thesis will assess how these texts affected early feminist ideas and how the critical conversation has shifted in recent years to examine how this relationship between feminist ideas and patriarchal religions can coexist when women are allowed to reclaim their voice.","abstract_has_math":false,"creators":["Weaver, Leann"],"institution":"Texas State University","degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"Literature","degree_department":null,"school":null,"contributors":[],"advisors":["Dyck, Denae"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-12","date_published":"2024-12","updated_at":"2026-07-27T21:22:47Z","subjects":["Victorian poetry","religions","feminism","proto-feminism"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10877/19955","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Dyck, Denae"]},{"key":"dc:creator","label":"Author","values":["Weaver, Leann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-12-06T15:00:44Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-12-06T15:00:44Z"]},{"key":"dc:date.issued","label":"Date","values":["2024-12"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Texas State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Victorian poetry","religions","feminism","proto-feminism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10877/19955"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis analyzes the Victorian women poets Christina Rossetti, Elizabeth Barrett Browning, and Amy Levy and their use of religion in their proto-feminist works, “Goblin Market” (Rossetti), the verse novel Aurora Leigh (Barrett Browning), and the dramatic monologues “Xantippe,” (1881) “Magdalen,” (1884) and “A Prayer” (1881) (Levy). This thesis examines the secular and religious institutions that these authors are tackling in their respective texts, looking at marriage specifically as the primary institution for Victorian women, considers the tales of sisterhood and the importance of relationships between women in these texts, and addresses expressions of female sexuality, sin, and religious imagery found throughout the writings of Rossetti, Barrett Browning, and Levy. Finally, this thesis will assess how these texts affected early feminist ideas and how the critical conversation has shifted in recent years to examine how this relationship between feminist ideas and patriarchal religions can coexist when women are allowed to reclaim their voice."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["1 file (.pdf)"]},{"key":"dc:title","label":"Title","values":["Religion and Proto-Feminism in Victorian Women's Poetry"]}]}],"canonical_facts":{"dc:contributor.advisor":["Dyck, Denae"],"dc:creator":["Weaver, Leann"],"dc:date.accessioned":["2024-12-06T15:00:44Z"],"dc:date.available":["2024-12-06T15:00:44Z"],"dc:date.issued":["2024-12"],"dc:description.abstract":["This thesis analyzes the Victorian women poets Christina Rossetti, Elizabeth Barrett Browning, and Amy Levy and their use of religion in their proto-feminist works, “Goblin Market” (Rossetti), the verse novel Aurora Leigh (Barrett Browning), and the dramatic monologues “Xantippe,” (1881) “Magdalen,” (1884) and “A Prayer” (1881) (Levy). This thesis examines the secular and religious institutions that these authors are tackling in their respective texts, looking at marriage specifically as the primary institution for Victorian women, considers the tales of sisterhood and the importance of relationships between women in these texts, and addresses expressions of female sexuality, sin, and religious imagery found throughout the writings of Rossetti, Barrett Browning, and Levy. Finally, this thesis will assess how these texts affected early feminist ideas and how the critical conversation has shifted in recent years to examine how this relationship between feminist ideas and patriarchal religions can coexist when women are allowed to reclaim their voice."],"dc:format":["Text"],"dc:format.medium":["1 file (.pdf)"],"dc:identifier.uri":["https://hdl.handle.net/10877/19955"],"dc:language.iso":["en"],"dc:subject":["Victorian poetry","religions","feminism","proto-feminism"],"dc:title":["Religion and Proto-Feminism in Victorian Women's Poetry"],"dc:type":["Thesis"],"thesis:degree_discipline":["Literature"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Texas State University"]},"updated_at":"2026-07-27T21:22:47Z"}