{"id":{"repo_id":"temple","oai_identifier":"oai:scholarshare.temple.edu:20.500.12613/6469"},"canonical_url":"https://search.dev.ndltd.org/etd/temple/oai:scholarshare.temple.edu:20.500.12613/6469","repository":{"repo_id":"temple","name":"Temple University","base_url":"https://scholarshare.temple.edu/server/oai/request"},"display":{"title":"PERSPECTIVES ON RICHARD STRAUSS’S EARLY COMPOSITIONS FOR SOLO PIANO","abstract":"Although the orchestral works and operas of Richard Strauss (1864–1949) haveachieved universal acclaim, his piano music remains largely unexamined on a scholarly level. Even though Strauss’s array of piano music is diverse, it has not been thoroughly studied in its full spectrum. In fact, there is no major work in English that addresses his piano legacy. This monograph presents Strauss’s piano solo oeuvre by analyzing his stylistic features, sources of inspiration, and development as a composer. Combining all his piano works into a single analytical assessment will provide access to Richard Strauss’s musical world and shine a spotlight on this significant but neglected area of his output. Moreover, the composer’s 12 Variations in D major, TrV 68 (1878) is included and discussed in the monograph for the first time, since they have never appeared in print. It will be a valuable resource for performers and scholars, who can rediscover his music.","abstract_html":"Although the orchestral works and operas of Richard Strauss (1864–1949) haveachieved universal acclaim, his piano music remains largely unexamined on a scholarly level. Even though Strauss’s array of piano music is diverse, it has not been thoroughly studied in its full spectrum. In fact, there is no major work in English that addresses his piano legacy. This monograph presents Strauss’s piano solo oeuvre by analyzing his stylistic features, sources of inspiration, and development as a composer. Combining all his piano works into a single analytical assessment will provide access to Richard Strauss’s musical world and shine a spotlight on this significant but neglected area of his output. Moreover, the composer’s 12 Variations in D major, TrV 68 (1878) is included and discussed in the monograph for the first time, since they have never appeared in print. It will be a valuable resource for performers and scholars, who can rediscover his music.","abstract_has_math":false,"creators":["Haviuk-Sheremet, Olena"],"institution":"Temple University. Libraries","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Lindorff, Joyce, 1950-"],"committee_chairs":[],"committee_members":["Abramovic, Charles","Zohn, Steven David, 1966-"],"year":2021,"date_issued":"2021","date_published":"2021","updated_at":"2026-07-27T21:20:15Z","subjects":["Music","Performing arts","Music history","Composer","Compositions","Early years","Piano","Piano music","Richard Strauss"],"languages":["eng"],"rights":["IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available."],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/20.500.12613/6469","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Lindorff, Joyce, 1950-"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Abramovic, Charles","Zohn, Steven David, 1966-"]},{"key":"dc:creator","label":"Author","values":["Haviuk-Sheremet, Olena"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2021-05-24T18:41:20Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2021-05-24T18:41:20Z"]},{"key":"dc:date.issued","label":"Date","values":["2021"]},{"key":"dc:publisher","label":"Institution","values":["Temple University. Libraries"]},{"key":"dc:type","label":"Dc Type","values":["Text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Performing arts","Music history","Composer","Compositions","Early years","Piano","Piano music","Richard Strauss"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available."]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/20.500.12613/6469"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Although the orchestral works and operas of Richard Strauss (1864–1949) haveachieved universal acclaim, his piano music remains largely unexamined on a scholarly level. Even though Strauss’s array of piano music is diverse, it has not been thoroughly studied in its full spectrum. In fact, there is no major work in English that addresses his piano legacy. This monograph presents Strauss’s piano solo oeuvre by analyzing his stylistic features, sources of inspiration, and development as a composer. Combining all his piano works into a single analytical assessment will provide access to Richard Strauss’s musical world and shine a spotlight on this significant but neglected area of his output. Moreover, the composer’s 12 Variations in D major, TrV 68 (1878) is included and discussed in the monograph for the first time, since they have never appeared in print. It will be a valuable resource for performers and scholars, who can rediscover his music."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["D.M.A."]},{"key":"dc:title","label":"Title","values":["PERSPECTIVES ON RICHARD STRAUSS’S EARLY COMPOSITIONS FOR SOLO PIANO"]}]}],"canonical_facts":{"dc:contributor.advisor":["Lindorff, Joyce, 1950-"],"dc:contributor.committeemember":["Abramovic, Charles","Zohn, Steven David, 1966-"],"dc:creator":["Haviuk-Sheremet, Olena"],"dc:date.accessioned":["2021-05-24T18:41:20Z"],"dc:date.available":["2021-05-24T18:41:20Z"],"dc:date.issued":["2021"],"dc:description.abstract":["Although the orchestral works and operas of Richard Strauss (1864–1949) haveachieved universal acclaim, his piano music remains largely unexamined on a scholarly level. Even though Strauss’s array of piano music is diverse, it has not been thoroughly studied in its full spectrum. In fact, there is no major work in English that addresses his piano legacy. This monograph presents Strauss’s piano solo oeuvre by analyzing his stylistic features, sources of inspiration, and development as a composer. Combining all his piano works into a single analytical assessment will provide access to Richard Strauss’s musical world and shine a spotlight on this significant but neglected area of his output. Moreover, the composer’s 12 Variations in D major, TrV 68 (1878) is included and discussed in the monograph for the first time, since they have never appeared in print. It will be a valuable resource for performers and scholars, who can rediscover his music."],"dc:description.degree":["D.M.A."],"dc:identifier.uri":["http://hdl.handle.net/20.500.12613/6469"],"dc:language.iso":["eng"],"dc:publisher":["Temple University. Libraries"],"dc:rights":["IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available."],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["Music","Performing arts","Music history","Composer","Compositions","Early years","Piano","Piano music","Richard Strauss"],"dc:title":["PERSPECTIVES ON RICHARD STRAUSS’S EARLY COMPOSITIONS FOR SOLO PIANO"],"dc:type":["Text"]},"updated_at":"2026-07-27T21:20:15Z"}