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Temple University. Libraries

LIBERATORY EXPRESSIONS: BLACK WOMEN, RESISTANCE AND THE CODED WORD, AN AFRICOLOGICAL EXAMINATION

Abstract

dc:description.abstract

Word coding can be traced to the ancient Kemetic practice of steganography (referring to hiding place or hidden message). Unless the reader is aware of the meaning, the Coded Word can often appear as just art. Afrocentric scholarship however, also incorporates the idea of functionality. Aesthetics, throughout African history, and to this day, serve a purpose. The beautiful quilts sewn by enslaved Black women served dual functions, as bed coverings and as symbols of resistance and liberation. The decorative wrought-ironwork found on gates and doors throughout the United States serves as a Sankofic reminder and protector. The highly coded language in the aesthetics of the Black Power/Black Arts Movement, shifted paradigms. Though the practice of word coding remains an active part of contemporary Black culture, there is a disconnection between the action and the aim (or function); a direct result of the destructive efforts of colonization. Today’s racially charged and oftentimes dangerous climate calls for a reexamination of word coding as a liberatory tool. I created the theory of the Coded Word to analyze three novels by Black women who are unique in their forms of word coding, just as they are characteristically distinct in their forms of expression. The findings for the three novels have resulted in the first three entries into the Glossary of the Coded Word, a resource to be used by Black people in resistance to oppression and in the struggle for liberation of all Black people.

Degree

thesis:*
Grantor dc:publisher
Temple University. Libraries
Year dc:date.issued
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Nicholas, Alice Lynn
Advisor dc:contributor.advisor
  • Asante, Molefi Kete, 1942-
Committee members dc:contributor.committeemember
  • Mazama, Ama, 1961-
  • Johnson, Amari
  • Nehusi, Kimani S. K.
  • Temple, Christel N.

Subjects

dc:subject × 6

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/20.500.12613/3338
OAI identifier oai:identifier
oai:scholarshare.temple.edu:20.500.12613/3338

Chain of custody

source
Harvested from
Temple University
Base URL
scholarshare.temple.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Nicholas, Alice Lynn. LIBERATORY EXPRESSIONS: BLACK WOMEN, RESISTANCE AND THE CODED WORD, AN AFRICOLOGICAL EXAMINATION. Temple University. Libraries, 2019. http://hdl.handle.net/20.500.12613/3338