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Temple University. Libraries

Illustrating Islam: Comics as Dakwah and the Negotiation of Muslim Identity in Indonesia

Abstract

dc:description.abstract

This dissertation investigates how print and digital comics communicate Islamic values and address issues of religious intolerance and violence in Indonesia, particularly in the context of the country’s social and political transformations following the fall of the Suharto government in 1998. The subsequent decentralization of governance and accompanying societal shifts created space for more conservative and extremist Muslim voices to gain prominence in the public sphere. In response, comics—produced by the Indonesian government, mainstream Islamic media publishers, and independent Muslim artists—have emerged as potential tools for countering extremist ideologies, promoting religious tolerance, and mitigating religious conflict. These comics aim to educate Muslim youth and young adults about the dangers of extremism while encouraging reflection on their religious beliefs and fostering social cohesion across the broader Islamic community. By integrating humor, relatable cultural and religious symbols, and engaging narratives, these comics position Islam as a source of compassion and unity, aligned with Indonesia’s pluralistic national ethos. However, this pluralistic ethos of a culturally diverse yet unified society remains an ideology—one that is sometimes challenged or undermined as particular political interests gain traction or seek to weaken opposition. This study explores how Islamic-themed comics attempt to reframe public perceptions of Muslim identities, bridge ideological divides between traditionalist and modernist Islamic communities, and promulgate the national narrative of a culturally diverse yet unified society. Drawing on ethnographic research—including semi-structured interviews and participant observation—this dissertation examines the processes through which artists conceptualize, construct, and disseminate their work, highlighting the potentially significant role of popular media in shaping perspectives on religion, identity, and national unity in Indonesia.

Degree

thesis:*
Grantor dc:publisher
Temple University. Libraries
Year dc:date.issued
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ehrenkonig, Julien
Advisor dc:contributor.advisor
  • Stankiewicz, Damien, 1980-
Committee members dc:contributor.committeemember
  • Garrett, Paul B., 1968-
  • Kidd, Dustin
  • Jones, Eric (Eric Alan)

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Repository record dc:identifier.uri
https://scholarshare.temple.edu/handle/20.500.12613/11143
OAI identifier oai:identifier
oai:scholarshare.temple.edu:20.500.12613/11143

Chain of custody

source
Harvested from
Temple University
Base URL
scholarshare.temple.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Ehrenkonig, Julien. Illustrating Islam: Comics as Dakwah and the Negotiation of Muslim Identity in Indonesia. Temple University. Libraries, 2025. https://scholarshare.temple.edu/handle/20.500.12613/11143