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Temple University. Libraries

The Cultural Broker: Babette Deutsch and Transatlantic Modernism

Abstract

dc:description.abstract

This dissertation explores the multifaceted contributions of Babette Deutsch, emphasizing her role as a cultural broker within the modernist tradition. Deutsch’s diverse oeuvre, spanning poetry, fiction, translation, and literary criticism, is re-evaluated through the lens of cultural brokerage, a concept rooted in anthropological discourse. The study delves into her impact on American literary modernism, her feminist literary contributions, and her pivotal role in facilitating transnational literary exchanges. By situating Deutsch within the frameworks of cultural mediation and linguistic interpretation, this research elucidates her efforts to challenge nationalist and instrumentalist assumptions in literature.The project establishes a theoretical foundation for analyzing Deutsch’s work, providing detailed analyses of her transnational poetry, feminist modernist narratives, innovative translation practices, and critical engagement with American literary production in the early to mid-twentieth century. Deutsch’s poetry is celebrated for its rich intertextuality and thematic diversity, addressing both personal and universal themes while reflecting her engagement with various cultural and literary traditions. Her translations are highlighted for their cultural impact and poetic qualities, positioning her as a key figure in enriching American literature with diverse voices. Her critical writings advocate for a cosmopolitan approach to literature, challenging restrictive definitions and promoting an inclusive vision of American identity. Deutsch’s legacy as a cultural broker is underscored by her ability to navigate between diverse cultural influences, thereby fostering cross-cultural dialogue and enriching American literary discourse. This dissertation not only reaffirms Deutsch’s significance in literary history but also proposes an expanded application of cultural brokerage as a theoretical framework for understanding transnational and multiethnic literary dynamics.

Degree

thesis:*
Grantor dc:publisher
Temple University. Libraries
Year dc:date.issued
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Shields, Brian
Advisor dc:contributor.advisor
  • Orvell, Miles
Committee members dc:contributor.committeemember
  • Henry, Katherine, 1956-
  • Osman, Jena
  • Hadas, Rachel

Subjects

dc:subject × 7

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/20.500.12613/10940
OAI identifier oai:identifier
oai:scholarshare.temple.edu:20.500.12613/10940

Chain of custody

source
Harvested from
Temple University
Base URL
scholarshare.temple.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Shields, Brian. The Cultural Broker: Babette Deutsch and Transatlantic Modernism. Temple University. Libraries, 2024. http://hdl.handle.net/20.500.12613/10940