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Extremely Online: Cultural Borrowing, Mixing, and Transformation in Internet Music

Abstract

dc:description.abstract

The formation of distinctive Internet cultures, accompanied by the increasing importance of digital mediations for popular culture consumption, has culminated in both popular and academic discussions around the idea of Internet-based music scenes or communities as a cultural phenomenon, referred to as “Internet genres” or “Internet music.” This dissertation presents a comprehensive framework for and definition of Internet music through ethnographic and textual analyses of three separate scenes: vaporwave, hyperpop, and phonk. It interrogates issues of cultural borrowing and hybridity within these Internet music scenes, and how representations of racial, gender, sexual, and national identity are negotiated by both producers and fans. It also explores how the dynamics of the online platforms through which these scenes manifest (including, but not limited to their tendency toward anonymity, low barrier to entry for producers, and blurred lines between producers/consumers) shape these scenes, including how the algorithm-driven organization of these scenes and the influence of meme cultures impact how different identities and cultures are portrayed through these musics. Ultimately, this project interrogates how social and cultural identities and differences come to be constructed and articulated in online environments, and how in a “post-Internet” age, individuals are increasingly using popular media to make sense of their relationships with digital technologies.

Degree

thesis:*
Grantor dc:publisher
Temple University. Libraries
Year dc:date.issued
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • March, Lucy
Advisor dc:contributor.advisor
  • Darling-Wolf, Fabienne
Committee members dc:contributor.committeemember
  • Mann, Larisa Kingston
  • Creech, Brian
  • Harper, Paula, 1988-

Subjects

dc:subject × 7

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/20.500.12613/10679
OAI identifier oai:identifier
oai:scholarshare.temple.edu:20.500.12613/10679

Chain of custody

source
Harvested from
Temple University
Base URL
scholarshare.temple.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

March, Lucy. Extremely Online: Cultural Borrowing, Mixing, and Transformation in Internet Music. Temple University. Libraries, 2024. http://hdl.handle.net/20.500.12613/10679