This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.
","abstract_html":"<p>This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.</p>","abstract_has_math":false,"creators":["Billinson, Jennifer"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Mass Communications","degree_department":null,"school":null,"contributors":["Dennis Kinsey"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-08-01T07:00:00Z","date_published":"2016-08-01T07:00:00Z","updated_at":"2026-07-24T04:55:13Z","subjects":["Coping","Disaster","Music","Popular Culture","Uses and Gratifications","Social and Behavioral Sciences"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://surface.syr.edu/etd/650","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dennis Kinsey"]},{"key":"dc:creator","label":"Author","values":["Billinson, Jennifer"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Mass Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Coping","Disaster","Music","Popular Culture","Uses and Gratifications","Social and Behavioral Sciences"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://surface.syr.edu/etd/650"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.
"]},{"key":"dc:title","label":"Title","values":["“Do You Know What It Means To Miss New Orleans?” The use of popular music after Hurricane Katrina"]}]}],"canonical_facts":{"dc:contributor":["Dennis Kinsey"],"dc:creator":["Billinson, Jennifer"],"dc:description.abstract":["This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.
"],"dc:identifier":["https://surface.syr.edu/etd/650"],"dc:subject":["Coping","Disaster","Music","Popular Culture","Uses and Gratifications","Social and Behavioral Sciences"],"dc:title":["“Do You Know What It Means To Miss New Orleans?” The use of popular music after Hurricane Katrina"],"thesis:degree_discipline":["Mass Communications"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T04:55:13Z"}