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University of South Wales

Producing a First Feature: Exploring the lived experiences of emerging UK film producers

Abstract

dc:description.abstract

This thesis explores the lived experiences of emerging UK film producers and specifically focuses on what producing a first feature film has meant to them. The role of the producer is crucially important in the filmmaking process and requires a broad skillset. As such, it is considered vital that we seek to further understand this formative stage in their career development. There has been no empirically grounded research on emerging UK film producers or the process of producing a first feature, so this research is, in part, intended to remedy that neglect.<br/><br/>The thesis takes a qualitative, inductive and micro-level approach and has adopted Interpretative Phenomenological Analysis (IPA) as a methodology. A purposive, homogenous sample was employed to identify suitable participants. Seven emerging UK film producers who had recently made their first feature films were recruited and data was gathered using semi-structured interviews. Interviews were recorded and transcribed verbatim, before being individually analysed and then cross referenced to produce three superordinate themes that describe their lived experiences.<br/><br/>Participants articulated a sense of ambition and struggle for status within the UK film industry. They took steps to overcome their own inexperience and were driven to succeed. They considered their hopes and fears for the futures and reflected on the issues they felt were preventing them from progress. <br/>Participants also focused on the creative aspects of film production and described how they used their taste when choosing material; how they have intervened and set boundaries in the creative process and the sense of validation they received from the audience response to their films. Finally, participants were focused on the value of their relationships: reflecting on networks as a source of opportunity, the need for a ‘good’ team and on exploitation of cast and crew in low budget productions.<br/><br/>The study has contributed to new knowledge as it is the first empirically grounded research that focuses on emerging producers. Furthermore, it utilises a previously unused methodology within research on media production.

Degree

thesis:*
Name dc:type.qualificationname
Doctoral Thesis
Level dc:type.qualificationlevel
Student thesis
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Casey, Edward

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:pure.atira.dk:studenttheses/afe3a613-ccee-41fa-aa45-27495c44cb64
OAI identifier oai:identifier
oai:pure.atira.dk:studenttheses/afe3a613-ccee-41fa-aa45-27495c44cb64

Chain of custody

source
Harvested from
University of South Wales
Base URL
pure.southwales.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Casey, Edward. Producing a First Feature: Exploring the lived experiences of emerging UK film producers. Student thesis thesis, 2018. https://pure.southwales.ac.uk/en/studentTheses/afe3a613-ccee-41fa-aa45-27495c44cb64