{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-3083"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-3083","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"Beyond Racial Categorizing: The Influence of the Spanish Bodegón on Casta Painting","abstract":"<p>I discuss the influence that the seventeenth-century Sevillian tradition of the bodegón, still-lifes that include kitchens, taverns, food and people, had on the development of genre-syle casta painting in New Spain. In setting apart the two types of casta painting, the register type and the genre type, I offer answers to the questions \"what function did the use of he bodegón serve within casta painting and what was the purpose of the genre-style paintings beyond racial categorizing.</p>","abstract_html":"&lt;p&gt;I discuss the influence that the seventeenth-century Sevillian tradition of the bodegón, still-lifes that include kitchens, taverns, food and people, had on the development of genre-syle casta painting in New Spain. In setting apart the two types of casta painting, the register type and the genre type, I offer answers to the questions &quot;what function did the use of he bodegón serve within casta painting and what was the purpose of the genre-style paintings beyond racial categorizing.&lt;/p&gt;","abstract_has_math":false,"creators":["Hughes, Margaret Lawrence"],"institution":null,"degree_name":"M.A.","degree_level":"Campus Access Thesis","degree_discipline":"Art","degree_department":null,"school":null,"contributors":["Andrew Graciano"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T04:37:28Z","subjects":["Arts and Humanities","Classical Archaeology and Art History","Classics","casta paintings","limpieza de sangre","racial categories","Velasquez"],"languages":[],"rights":["© 2011, Margaret Lawrence Hughes"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/2082","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Andrew Graciano"]},{"key":"dc:creator","label":"Author","values":["Hughes, Margaret Lawrence"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Classical Archaeology and Art History","Classics","casta paintings","limpieza de sangre","racial categories","Velasquez"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2011, Margaret Lawrence Hughes"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/2082"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>I discuss the influence that the seventeenth-century Sevillian tradition of the bodegón, still-lifes that include kitchens, taverns, food and people, had on the development of genre-syle casta painting in New Spain. In setting apart the two types of casta painting, the register type and the genre type, I offer answers to the questions \"what function did the use of he bodegón serve within casta painting and what was the purpose of the genre-style paintings beyond racial categorizing.</p>"]},{"key":"dc:title","label":"Title","values":["Beyond Racial Categorizing: The Influence of the Spanish Bodegón on Casta Painting"]}]}],"canonical_facts":{"dc:contributor":["Andrew Graciano"],"dc:creator":["Hughes, Margaret Lawrence"],"dc:description.abstract":["<p>I discuss the influence that the seventeenth-century Sevillian tradition of the bodegón, still-lifes that include kitchens, taverns, food and people, had on the development of genre-syle casta painting in New Spain. In setting apart the two types of casta painting, the register type and the genre type, I offer answers to the questions \"what function did the use of he bodegón serve within casta painting and what was the purpose of the genre-style paintings beyond racial categorizing.</p>"],"dc:identifier":["https://scholarcommons.sc.edu/etd/2082"],"dc:rights":["© 2011, Margaret Lawrence Hughes"],"dc:subject":["Arts and Humanities","Classical Archaeology and Art History","Classics","casta paintings","limpieza de sangre","racial categories","Velasquez"],"dc:title":["Beyond Racial Categorizing: The Influence of the Spanish Bodegón on Casta Painting"],"thesis:degree_discipline":["Art"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T04:37:28Z"}