{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-2864"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-2864","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"Man In the Chair","abstract":"<p>Man in the Chair is the culmination of months of writing, rehearsing, experimenting, and finally performing. It is a testimony to the creative process that includes: developing an artistic piece from start to finish; learning to follow imaginative impulses that will lead words into physical shape; and finally, learning to embrace moments of un-panicked emptiness while experimenting in a theatrical setting before a sea of spectators.</p>","abstract_html":"&lt;p&gt;Man in the Chair is the culmination of months of writing, rehearsing, experimenting, and finally performing. It is a testimony to the creative process that includes: developing an artistic piece from start to finish; learning to follow imaginative impulses that will lead words into physical shape; and finally, learning to embrace moments of un-panicked emptiness while experimenting in a theatrical setting before a sea of spectators.&lt;/p&gt;","abstract_has_math":false,"creators":["Zimbelman, Todd"],"institution":null,"degree_name":"M.F.A.","degree_level":"Campus Access Thesis","degree_discipline":"Theatre and Dance","degree_department":null,"school":null,"contributors":["Richard Jennings","Steve Pearson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T04:37:34Z","subjects":["Arts and Humanities","Theatre and Performance Studies","Chair","Man","Nameless"],"languages":[],"rights":["© 2011, Todd Zimbelman"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/1863","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard Jennings","Steve Pearson"]},{"key":"dc:creator","label":"Author","values":["Zimbelman, Todd"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre and Dance"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Theatre and Performance Studies","Chair","Man","Nameless"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2011, Todd Zimbelman"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/1863"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Man in the Chair is the culmination of months of writing, rehearsing, experimenting, and finally performing. It is a testimony to the creative process that includes: developing an artistic piece from start to finish; learning to follow imaginative impulses that will lead words into physical shape; and finally, learning to embrace moments of un-panicked emptiness while experimenting in a theatrical setting before a sea of spectators.</p>"]},{"key":"dc:title","label":"Title","values":["Man In the Chair"]}]}],"canonical_facts":{"dc:contributor":["Richard Jennings","Steve Pearson"],"dc:creator":["Zimbelman, Todd"],"dc:description.abstract":["<p>Man in the Chair is the culmination of months of writing, rehearsing, experimenting, and finally performing. It is a testimony to the creative process that includes: developing an artistic piece from start to finish; learning to follow imaginative impulses that will lead words into physical shape; and finally, learning to embrace moments of un-panicked emptiness while experimenting in a theatrical setting before a sea of spectators.</p>"],"dc:identifier":["https://scholarcommons.sc.edu/etd/1863"],"dc:rights":["© 2011, Todd Zimbelman"],"dc:subject":["Arts and Humanities","Theatre and Performance Studies","Chair","Man","Nameless"],"dc:title":["Man In the Chair"],"thesis:degree_discipline":["Theatre and Dance"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T04:37:34Z"}