{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-2647"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-2647","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"The Choral Music of Donald Mccullough","abstract":"<p>Donald McCullough (b. 1957) is an American composer and conductor who has made many wonderful contributions to the contemporary choral repertoire. When looking at McCullough's overall choral output, two things are immediately apparent: the strength of the texts he chooses to set, and the high quality of his music regardless of the choir's level of ability. The purpose of this study is threefold: (1) to bring about a greater awareness of his music by providing an overview of his total choral output; (2) to provide a general description of his compositional style; and (3) to provide an in-depth study of his Holocaust Cantata, which sets songs and texts written in World War II concentration camps, and Let My People Go!, which recounts the history of the Underground Railroad.</p>","abstract_html":"&lt;p&gt;Donald McCullough (b. 1957) is an American composer and conductor who has made many wonderful contributions to the contemporary choral repertoire. When looking at McCullough&#x27;s overall choral output, two things are immediately apparent: the strength of the texts he chooses to set, and the high quality of his music regardless of the choir&#x27;s level of ability. The purpose of this study is threefold: (1) to bring about a greater awareness of his music by providing an overview of his total choral output; (2) to provide a general description of his compositional style; and (3) to provide an in-depth study of his Holocaust Cantata, which sets songs and texts written in World War II concentration camps, and Let My People Go!, which recounts the history of the Underground Railroad.&lt;/p&gt;","abstract_has_math":false,"creators":["Kelly, Susan Marie"],"institution":null,"degree_name":"D.M.A.","degree_level":"Campus Access Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Larry D Wyatt"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T04:38:23Z","subjects":["Arts and Humanities","Music","Music Performance","Donald McCullough"],"languages":[],"rights":["© 2012, Susan Marie Kelly"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/1646","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Larry D Wyatt"]},{"key":"dc:creator","label":"Author","values":["Kelly, Susan Marie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Music","Music Performance","Donald McCullough"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2012, Susan Marie Kelly"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/1646"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Donald McCullough (b. 1957) is an American composer and conductor who has made many wonderful contributions to the contemporary choral repertoire. When looking at McCullough's overall choral output, two things are immediately apparent: the strength of the texts he chooses to set, and the high quality of his music regardless of the choir's level of ability. The purpose of this study is threefold: (1) to bring about a greater awareness of his music by providing an overview of his total choral output; (2) to provide a general description of his compositional style; and (3) to provide an in-depth study of his Holocaust Cantata, which sets songs and texts written in World War II concentration camps, and Let My People Go!, which recounts the history of the Underground Railroad.</p>"]},{"key":"dc:title","label":"Title","values":["The Choral Music of Donald Mccullough"]}]}],"canonical_facts":{"dc:contributor":["Larry D Wyatt"],"dc:creator":["Kelly, Susan Marie"],"dc:description.abstract":["<p>Donald McCullough (b. 1957) is an American composer and conductor who has made many wonderful contributions to the contemporary choral repertoire. When looking at McCullough's overall choral output, two things are immediately apparent: the strength of the texts he chooses to set, and the high quality of his music regardless of the choir's level of ability. The purpose of this study is threefold: (1) to bring about a greater awareness of his music by providing an overview of his total choral output; (2) to provide a general description of his compositional style; and (3) to provide an in-depth study of his Holocaust Cantata, which sets songs and texts written in World War II concentration camps, and Let My People Go!, which recounts the history of the Underground Railroad.</p>"],"dc:identifier":["https://scholarcommons.sc.edu/etd/1646"],"dc:rights":["© 2012, Susan Marie Kelly"],"dc:subject":["Arts and Humanities","Music","Music Performance","Donald McCullough"],"dc:title":["The Choral Music of Donald Mccullough"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["D.M.A."]},"updated_at":"2026-07-24T04:38:23Z"}