Many modern conductors of Mahler's works face challenges when attempting to understand how Mahler himself performed them. There is much debate over tempo and the 'correct' interpretation of Mahler's works. In dealing with the interpretation of Mahler' works, one must certainly lend the most credence to those that knew him, worked with him and even watched him at work. This study explores the relationships between Mahler and his two most notable disciples Bruno Walter and Otto Klemperer. It also explores the influences that Mahler had on their careers and conducting philosophies, and the significance of these relationships in determining whether the performances of Walter and Klemperer represent authentic Mahler performances. Finally, this study also explores, in some detail, the issues of tempo in the recordings and performances of Mahler's Ninth Symphony by Walter and Klemperer. At issue is whether or not a tradition exists in any Mahler performance and whether those closest to him represent authenticity in interpreting his works.
","abstract_html":"<p>Many modern conductors of Mahler's works face challenges when attempting to understand how Mahler himself performed them. There is much debate over tempo and the 'correct' interpretation of Mahler's works. In dealing with the interpretation of Mahler' works, one must certainly lend the most credence to those that knew him, worked with him and even watched him at work. This study explores the relationships between Mahler and his two most notable disciples Bruno Walter and Otto Klemperer. It also explores the influences that Mahler had on their careers and conducting philosophies, and the significance of these relationships in determining whether the performances of Walter and Klemperer represent authentic Mahler performances. Finally, this study also explores, in some detail, the issues of tempo in the recordings and performances of Mahler's Ninth Symphony by Walter and Klemperer. At issue is whether or not a tradition exists in any Mahler performance and whether those closest to him represent authenticity in interpreting his works.</p>","abstract_has_math":false,"creators":["Busse, Matthew"],"institution":null,"degree_name":"D.M.A.","degree_level":"Campus Access Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Donald Portnoy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T04:38:31Z","subjects":["Arts and Humanities","Music","Music Performance","Conducting","Mahler","Ninth Symphony"],"languages":[],"rights":["© 2012, Matthew Busse"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/1636","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Donald Portnoy"]},{"key":"dc:creator","label":"Author","values":["Busse, Matthew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Music","Music Performance","Conducting","Mahler","Ninth Symphony"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2012, Matthew Busse"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/1636"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Many modern conductors of Mahler's works face challenges when attempting to understand how Mahler himself performed them. There is much debate over tempo and the 'correct' interpretation of Mahler's works. In dealing with the interpretation of Mahler' works, one must certainly lend the most credence to those that knew him, worked with him and even watched him at work. This study explores the relationships between Mahler and his two most notable disciples Bruno Walter and Otto Klemperer. It also explores the influences that Mahler had on their careers and conducting philosophies, and the significance of these relationships in determining whether the performances of Walter and Klemperer represent authentic Mahler performances. Finally, this study also explores, in some detail, the issues of tempo in the recordings and performances of Mahler's Ninth Symphony by Walter and Klemperer. At issue is whether or not a tradition exists in any Mahler performance and whether those closest to him represent authenticity in interpreting his works.
"]},{"key":"dc:title","label":"Title","values":["Gustav Mahler and His Disciples: An Exploration of Tempo In the Bruno Walter and Otto Klemperer Recordings of the Ninth Symphony"]}]}],"canonical_facts":{"dc:contributor":["Donald Portnoy"],"dc:creator":["Busse, Matthew"],"dc:description.abstract":["Many modern conductors of Mahler's works face challenges when attempting to understand how Mahler himself performed them. There is much debate over tempo and the 'correct' interpretation of Mahler's works. In dealing with the interpretation of Mahler' works, one must certainly lend the most credence to those that knew him, worked with him and even watched him at work. This study explores the relationships between Mahler and his two most notable disciples Bruno Walter and Otto Klemperer. It also explores the influences that Mahler had on their careers and conducting philosophies, and the significance of these relationships in determining whether the performances of Walter and Klemperer represent authentic Mahler performances. Finally, this study also explores, in some detail, the issues of tempo in the recordings and performances of Mahler's Ninth Symphony by Walter and Klemperer. At issue is whether or not a tradition exists in any Mahler performance and whether those closest to him represent authenticity in interpreting his works.
"],"dc:identifier":["https://scholarcommons.sc.edu/etd/1636"],"dc:rights":["© 2012, Matthew Busse"],"dc:subject":["Arts and Humanities","Music","Music Performance","Conducting","Mahler","Ninth Symphony"],"dc:title":["Gustav Mahler and His Disciples: An Exploration of Tempo In the Bruno Walter and Otto Klemperer Recordings of the Ninth Symphony"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["D.M.A."]},"updated_at":"2026-07-24T04:38:31Z"}