{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-2629"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-2629","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"Musical Humor and Beethoven's Symphonic Scherzi","abstract":"<p>This study will examine the lasting effects of musical humor, exemplified by the symphonic Scherzi of Beethoven. In toying with expectations derived from established Classical Period models, Beethoven helped change formal and structural traditions. This change is apparent in the compositional choices made by future composers who emulated his clever manipulation of conventional patterns. After discussing the nature of musical humor, this study will examine Classical precedents, and the development and extensive imitation of Beethoven's symphonic Scherzo. Once the wit and humor of Beethoven's Scherzi became standard methods of composition, the amusing qualities were stripped away as the unexpected became expected. However, the imitation and replication of Beethoven's humorous techniques shifted the perceived boundaries of the stylistic traditions, and a new paradigm was formed.</p>","abstract_html":"&lt;p&gt;This study will examine the lasting effects of musical humor, exemplified by the symphonic Scherzi of Beethoven. In toying with expectations derived from established Classical Period models, Beethoven helped change formal and structural traditions. This change is apparent in the compositional choices made by future composers who emulated his clever manipulation of conventional patterns. After discussing the nature of musical humor, this study will examine Classical precedents, and the development and extensive imitation of Beethoven&#x27;s symphonic Scherzo. Once the wit and humor of Beethoven&#x27;s Scherzi became standard methods of composition, the amusing qualities were stripped away as the unexpected became expected. However, the imitation and replication of Beethoven&#x27;s humorous techniques shifted the perceived boundaries of the stylistic traditions, and a new paradigm was formed.&lt;/p&gt;","abstract_has_math":false,"creators":["Kay, Peter B."],"institution":null,"degree_name":"D.M.A.","degree_level":"Campus Access Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Reginald Bain"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T04:38:23Z","subjects":["Arts and Humanities","Composition","Music","Beethoven","Haydn","Humor","Joke","Scherzo","Symphony"],"languages":[],"rights":["© 2012, Peter B. Kay"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/1628","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Reginald Bain"]},{"key":"dc:creator","label":"Author","values":["Kay, Peter B."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Composition","Music","Beethoven","Haydn","Humor","Joke","Scherzo","Symphony"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2012, Peter B. 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Once the wit and humor of Beethoven's Scherzi became standard methods of composition, the amusing qualities were stripped away as the unexpected became expected. However, the imitation and replication of Beethoven's humorous techniques shifted the perceived boundaries of the stylistic traditions, and a new paradigm was formed.</p>"]},{"key":"dc:title","label":"Title","values":["Musical Humor and Beethoven's Symphonic Scherzi"]}]}],"canonical_facts":{"dc:contributor":["Reginald Bain"],"dc:creator":["Kay, Peter B."],"dc:description.abstract":["<p>This study will examine the lasting effects of musical humor, exemplified by the symphonic Scherzi of Beethoven. In toying with expectations derived from established Classical Period models, Beethoven helped change formal and structural traditions. This change is apparent in the compositional choices made by future composers who emulated his clever manipulation of conventional patterns. After discussing the nature of musical humor, this study will examine Classical precedents, and the development and extensive imitation of Beethoven's symphonic Scherzo. Once the wit and humor of Beethoven's Scherzi became standard methods of composition, the amusing qualities were stripped away as the unexpected became expected. However, the imitation and replication of Beethoven's humorous techniques shifted the perceived boundaries of the stylistic traditions, and a new paradigm was formed.</p>"],"dc:identifier":["https://scholarcommons.sc.edu/etd/1628"],"dc:rights":["© 2012, Peter B. Kay"],"dc:subject":["Arts and Humanities","Composition","Music","Beethoven","Haydn","Humor","Joke","Scherzo","Symphony"],"dc:title":["Musical Humor and Beethoven's Symphonic Scherzi"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["D.M.A."]},"updated_at":"2026-07-24T04:38:23Z"}