{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-2241"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-2241","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"Depiction of Widow Immolation In Works by Montaigne, Voltaire, Bernardin De Saint-Pierre, and Verne","abstract":"<p>The idea of sati, or the immolation of widows with the corpse of their husbands, has permeated much of Western discourse about the Indian subcontinent. This thesis examines some of the philosophical issues surrounding the practice as they appear in French literature. An introductory chapter is included to give background on sati as it was actually practiced in India, as well as prevalent categorizations with which Western scholars have defined and discussed it. Chapter 2 examines Michel de Montaigne's essay, 'De la vertu,' which criticizes the attribution of opposite meanings to the act of suicide by making a direct comparison between the Indian rite and a French wife's suicide. Chapter 3 compares the ways in which male characters dissuade widows from self-immolating in Zadig by Voltaire and La Chaumi├â┬¿re indienne by Bernardin de Saint-Pierre. Chapter 4 criticizes the depiction of a widow's rescue from her husband's funeral pyre as an ethical imperative based on a simplified moral system in Jules Verne's Le Tour du monde en quatre-vingts jours. The ethic of human rights actually conflicts with the ethic of cultural sovereignty and preservation in the question of sati's legality, but various narrative traits have erased the ethical ambiguity inherent in the episode. Close reading strategies have been applied to provide a critical basis for observing how sati is used to further artistic and philosophical ends in each of the works included in this study.</p>","abstract_html":"&lt;p&gt;The idea of sati, or the immolation of widows with the corpse of their husbands, has permeated much of Western discourse about the Indian subcontinent. This thesis examines some of the philosophical issues surrounding the practice as they appear in French literature. An introductory chapter is included to give background on sati as it was actually practiced in India, as well as prevalent categorizations with which Western scholars have defined and discussed it. Chapter 2 examines Michel de Montaigne&#x27;s essay, &#x27;De la vertu,&#x27; which criticizes the attribution of opposite meanings to the act of suicide by making a direct comparison between the Indian rite and a French wife&#x27;s suicide. Chapter 3 compares the ways in which male characters dissuade widows from self-immolating in Zadig by Voltaire and La Chaumi├â┬¿re indienne by Bernardin de Saint-Pierre. Chapter 4 criticizes the depiction of a widow&#x27;s rescue from her husband&#x27;s funeral pyre as an ethical imperative based on a simplified moral system in Jules Verne&#x27;s Le Tour du monde en quatre-vingts jours. The ethic of human rights actually conflicts with the ethic of cultural sovereignty and preservation in the question of sati&#x27;s legality, but various narrative traits have erased the ethical ambiguity inherent in the episode. Close reading strategies have been applied to provide a critical basis for observing how sati is used to further artistic and philosophical ends in each of the works included in this study.&lt;/p&gt;","abstract_has_math":false,"creators":["Florian, Marianne Parrish"],"institution":null,"degree_name":"M.A.","degree_level":"Campus Access Thesis","degree_discipline":"Languages, Literatures and Cultures","degree_department":null,"school":null,"contributors":["William Edmiston"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T04:38:31Z","subjects":["Arts and Humanities","German Language and Literature","colonialism","French Literature","India","Orientalism","sati","widow"],"languages":[],"rights":["© 2012, Marianne Parrish Florian"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/1240","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["William Edmiston"]},{"key":"dc:creator","label":"Author","values":["Florian, Marianne Parrish"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Languages, Literatures and Cultures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","German Language and Literature","colonialism","French Literature","India","Orientalism","sati","widow"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2012, Marianne Parrish Florian"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/1240"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The idea of sati, or the immolation of widows with the corpse of their husbands, has permeated much of Western discourse about the Indian subcontinent. This thesis examines some of the philosophical issues surrounding the practice as they appear in French literature. An introductory chapter is included to give background on sati as it was actually practiced in India, as well as prevalent categorizations with which Western scholars have defined and discussed it. Chapter 2 examines Michel de Montaigne's essay, 'De la vertu,' which criticizes the attribution of opposite meanings to the act of suicide by making a direct comparison between the Indian rite and a French wife's suicide. Chapter 3 compares the ways in which male characters dissuade widows from self-immolating in Zadig by Voltaire and La Chaumi├â┬¿re indienne by Bernardin de Saint-Pierre. Chapter 4 criticizes the depiction of a widow's rescue from her husband's funeral pyre as an ethical imperative based on a simplified moral system in Jules Verne's Le Tour du monde en quatre-vingts jours. The ethic of human rights actually conflicts with the ethic of cultural sovereignty and preservation in the question of sati's legality, but various narrative traits have erased the ethical ambiguity inherent in the episode. Close reading strategies have been applied to provide a critical basis for observing how sati is used to further artistic and philosophical ends in each of the works included in this study.</p>"]},{"key":"dc:title","label":"Title","values":["Depiction of Widow Immolation In Works by Montaigne, Voltaire, Bernardin De Saint-Pierre, and Verne"]}]}],"canonical_facts":{"dc:contributor":["William Edmiston"],"dc:creator":["Florian, Marianne Parrish"],"dc:description.abstract":["<p>The idea of sati, or the immolation of widows with the corpse of their husbands, has permeated much of Western discourse about the Indian subcontinent. This thesis examines some of the philosophical issues surrounding the practice as they appear in French literature. An introductory chapter is included to give background on sati as it was actually practiced in India, as well as prevalent categorizations with which Western scholars have defined and discussed it. Chapter 2 examines Michel de Montaigne's essay, 'De la vertu,' which criticizes the attribution of opposite meanings to the act of suicide by making a direct comparison between the Indian rite and a French wife's suicide. Chapter 3 compares the ways in which male characters dissuade widows from self-immolating in Zadig by Voltaire and La Chaumi├â┬¿re indienne by Bernardin de Saint-Pierre. Chapter 4 criticizes the depiction of a widow's rescue from her husband's funeral pyre as an ethical imperative based on a simplified moral system in Jules Verne's Le Tour du monde en quatre-vingts jours. The ethic of human rights actually conflicts with the ethic of cultural sovereignty and preservation in the question of sati's legality, but various narrative traits have erased the ethical ambiguity inherent in the episode. Close reading strategies have been applied to provide a critical basis for observing how sati is used to further artistic and philosophical ends in each of the works included in this study.</p>"],"dc:identifier":["https://scholarcommons.sc.edu/etd/1240"],"dc:rights":["© 2012, Marianne Parrish Florian"],"dc:subject":["Arts and Humanities","German Language and Literature","colonialism","French Literature","India","Orientalism","sati","widow"],"dc:title":["Depiction of Widow Immolation In Works by Montaigne, Voltaire, Bernardin De Saint-Pierre, and Verne"],"thesis:degree_discipline":["Languages, Literatures and Cultures"],"thesis:degree_level":["Campus Access Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T04:38:31Z"}