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University of South Carolina

Folk Music As A Cultural Signifier In the Contemporary American South

Abstract

dc:description.abstract

<p>Given the continued success of a Southern folk music tradition that makes it a priority to maintain its distinctive regional and historical markings in the postmodern world, the music itself presents interesting possibilities for the evolving conceptions of Southern identity, particularly in in the way music is privileged in its representation of an older, more regionally distinct time without the need for concrete connections to time or place. James Dickey'sDeliverance (1970), a novel with crises of identity at its heart, effectively presents the nuances of how music as a cultural signifier with exceptional abilities functions in contemporary Southern culture. The novel's subsequent adaptation into film by director John Boorman not only illustrated the power of the music in presenting ideas about the American South, it also contributed an understanding of the music to the popular culture lexicon that cemented its importance to regional identity.</p> <p> The novel and film's prominence in tackling the nature of both Southern identity and Southern folk music in the contemporary world make it a valuable platform for drawing larger conclusions about the possibilities that the music presents, although it would not be until the phenomenal success of <italic>O Brother Where Art Thou?</italic> (2000) and its Grammy-winning soundtrack, where again music serves as a powerful purveyor of identity in stark contrast to the other elements of the story and adds to its meaning in the popular lexicon, that the music's role in the contemporary American South is crystallized.</p>

Degree

thesis:*
Name thesis:degree_name
M.A.
Level thesis:degree_level
Campus Access Thesis
Discipline thesis:degree_discipline
English Language and Literatures
Year
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Petersen, Kyle
Contributors dc:contributor
  • Tara Powell

Subjects

dc:subject × 9

Rights

dc:rights
Statement dc:rights
  • © 2011, Kyle Petersen

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarcommons.sc.edu/etd/1091
OAI identifier oai:identifier
oai:scholarcommons.sc.edu:etd-2092

Chain of custody

source
Harvested from
University of South Carolina
Base URL
scholarcommons.sc.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Petersen, Kyle. Folk Music As A Cultural Signifier In the Contemporary American South. Campus Access Thesis thesis, 2011. https://scholarcommons.sc.edu/etd/1091