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University of South Carolina

Buried Alive: Gothic Oppression in the Novels of Edith Wharton'

Abstract

dc:description.abstract

<p>Edith Wharton is undoubtedly one of American literature's foremost critics of society; however, little has been written of her use of the Gothic as part of her social commentary. Within all of Wharton's fiction, ranging from her ghost stories to her more celebrated classics such as The House of Mirth, there is a Gothic strain; Wharton illustrates the grave consequences of normalizing discourses surrounding gender, class, and sexuality through her employment of Gothic conventions. Her use of the Gothic differs from other women writers in that she does not simply critique domesticity. Instead, Wharton's Gothic is an indictment of an entire system and the mindless following of such. In this work I will examine two of Wharton's texts that, to me, most fully illustrate her Gothic. First, I will discuss the short novel Summer to examine the ambiguously mutual feelings held between a foster father and daughter. This incestuous relationship questions the idea of perversity, maintaining a complicated perspective on sexuality and showing the entrapment from following gender roles. The Age of Innocence, Wharton's most celebrated novel and winner of the Pulitzer Prize, shows the haunting effects of following social rules and rituals. Each of the main characters is buried prematurely by the suffocating society in which they reside. I will show that both novels, despite their differences, offer similar criticisms of society and provide equally powerful indictments of the sex/gender system.</p>

Degree

thesis:*
Name thesis:degree_name
M.A.
Level thesis:degree_level
Campus Access Thesis
Discipline thesis:degree_discipline
English Language and Literatures
Year
2010

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Kotti, Laura Gayle
Contributors dc:contributor
  • Brian Glavey

Subjects

dc:subject × 6

Rights

dc:rights
Statement dc:rights
  • © 2010, Laura Gayle Kotti

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarcommons.sc.edu/etd/1080
OAI identifier oai:identifier
oai:scholarcommons.sc.edu:etd-2081

Chain of custody

source
Harvested from
University of South Carolina
Base URL
scholarcommons.sc.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Kotti, Laura Gayle. Buried Alive: Gothic Oppression in the Novels of Edith Wharton'. Campus Access Thesis thesis, 2010. https://scholarcommons.sc.edu/etd/1080