This dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the themes of eroticism, transcendence and the sacred in the Roman poet Catullus and tracing the reception of Catullus in English lyric in Sir Philip Sidney and Thomas Carew. I argue that the function of the erotic in lyric discourse underwent a major shift in relation to sacred discourse and transcendence. This shift consisted of an alteration from a poetics of metaphor to metonymy and a conceptual alteration of transcendence from a vertical to a horizontal plane. I argue that the 'Catullan Consciousness' did not fully emerge until the poetry of Philip Sidney. So, my work brings together a number of strands of thought in recent Catullan and Renaissance scholarship to develop a theory and hermeneutic of the inter-textual relationship between Catullan, Renaissance and early-modern poetics.
","abstract_html":"<p>This dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the themes of eroticism, transcendence and the sacred in the Roman poet Catullus and tracing the reception of Catullus in English lyric in Sir Philip Sidney and Thomas Carew. I argue that the function of the erotic in lyric discourse underwent a major shift in relation to sacred discourse and transcendence. This shift consisted of an alteration from a poetics of metaphor to metonymy and a conceptual alteration of transcendence from a vertical to a horizontal plane. I argue that the 'Catullan Consciousness' did not fully emerge until the poetry of Philip Sidney. So, my work brings together a number of strands of thought in recent Catullan and Renaissance scholarship to develop a theory and hermeneutic of the inter-textual relationship between Catullan, Renaissance and early-modern poetics.</p>","abstract_has_math":false,"creators":["Hamby, Larry Grant"],"institution":null,"degree_name":"Ph.D.","degree_level":"Campus Access Dissertation","degree_discipline":"Comparative Literature","degree_department":null,"school":null,"contributors":["Paul A Miller"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T04:37:21Z","subjects":["Arts and Humanities","Comparative Literature","Carew","Catullus","Sidney"],"languages":[],"rights":["© 2010, Larry Grant Hamby"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/758","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Paul A Miller"]},{"key":"dc:creator","label":"Author","values":["Hamby, Larry Grant"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Comparative Literature","Carew","Catullus","Sidney"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2010, Larry Grant Hamby"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/758"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the themes of eroticism, transcendence and the sacred in the Roman poet Catullus and tracing the reception of Catullus in English lyric in Sir Philip Sidney and Thomas Carew. I argue that the function of the erotic in lyric discourse underwent a major shift in relation to sacred discourse and transcendence. This shift consisted of an alteration from a poetics of metaphor to metonymy and a conceptual alteration of transcendence from a vertical to a horizontal plane. I argue that the 'Catullan Consciousness' did not fully emerge until the poetry of Philip Sidney. So, my work brings together a number of strands of thought in recent Catullan and Renaissance scholarship to develop a theory and hermeneutic of the inter-textual relationship between Catullan, Renaissance and early-modern poetics.
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