{"id":{"repo_id":"south-carolina","oai_identifier":"oai:scholarcommons.sc.edu:etd-1057"},"canonical_url":"https://search.dev.ndltd.org/etd/south-carolina/oai:scholarcommons.sc.edu:etd-1057","repository":{"repo_id":"south-carolina","name":"University of South Carolina","base_url":"https://scholarcommons.sc.edu/do/oai/"},"display":{"title":"Robert Schumann'S Grand Sonata No. 3, Op. 14 In F-Minor - \"Concert Sans Orchestre\": A Performance Analysis","abstract":"<p>This study examines the second edition of Robert Schumann's Grand Sonata No. 3, Op. 14 Concerto sans Orchestre. It includes a review of the historical background of the work; summary of Schumann's experience in the sonata genre as evident in the composer's work as an editor and writer for the <em>Neue Zeitschrift für Musik</em>; a detailed analysis of the sonata with a special consideration to the elements of music analysis outlined by Schumann in his own sonata reviews.</p>","abstract_html":"&lt;p&gt;This study examines the second edition of Robert Schumann&#x27;s Grand Sonata No. 3, Op. 14 Concerto sans Orchestre. 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