{"id":{"repo_id":"siu-theses","oai_identifier":"oai:opensiuc.lib.siu.edu:dissertations-2347"},"canonical_url":"https://search.dev.ndltd.org/etd/siu-theses/oai:opensiuc.lib.siu.edu:dissertations-2347","repository":{"repo_id":"siu-theses","name":"Southern Illinois University","base_url":"https://opensiuc.lib.siu.edu/do/oai/"},"display":{"title":"To Produce and Persist: A Dialectical Investigation of Purpose in Commercial Stereophony","abstract":"This dissertation seeks to identify the purposive force that determines the form and function of commercial stereophony in capitalist society, and the ways in which this force affects the productive and consumptive activities of stereophonic practitioners and listening audiences. Employing dialectical materialism, I examine three social processes that either historically established or continue to influence the mediative potential of stereophonic sound: the invention and industrial standardization of the stereophonic apparatus, the professionalization of stereophonic practitioners, and the social construction of stereophonic listeners as a mass consuming audience. These interrelated studies reveal perceived economic necessity as the dominant causal force that governs all stereophonic processes and practices under the capitalist economic system. Informed by my chapter findings, which complicate Karl Marx’s materialist base and superstructure schema – a coarse conceptual abstraction of capitalist production, I construct a more refined and flexible schematic diagram that offers a distinctive bird’s eye view of the universal interplay between capitalists, producers and consumers. This novel conceptual schematic depicts productive forces and productive relations as coterminous expressions of the dual-purpose of capitalism: to produce surplus-value for accumulation by capitalists, and to do so in perpetuity.","abstract_html":"This dissertation seeks to identify the purposive force that determines the form and function of commercial stereophony in capitalist society, and the ways in which this force affects the productive and consumptive activities of stereophonic practitioners and listening audiences. Employing dialectical materialism, I examine three social processes that either historically established or continue to influence the mediative potential of stereophonic sound: the invention and industrial standardization of the stereophonic apparatus, the professionalization of stereophonic practitioners, and the social construction of stereophonic listeners as a mass consuming audience. These interrelated studies reveal perceived economic necessity as the dominant causal force that governs all stereophonic processes and practices under the capitalist economic system. Informed by my chapter findings, which complicate Karl Marx’s materialist base and superstructure schema – a coarse conceptual abstraction of capitalist production, I construct a more refined and flexible schematic diagram that offers a distinctive bird’s eye view of the universal interplay between capitalists, producers and consumers. This novel conceptual schematic depicts productive forces and productive relations as coterminous expressions of the dual-purpose of capitalism: to produce surplus-value for accumulation by capitalists, and to do so in perpetuity.","abstract_has_math":false,"creators":["Caringer, Kelly Heath"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Campus Only Dissertation","degree_discipline":"Mass Communication and Media Arts","degree_department":null,"school":null,"contributors":["Metz, Walter"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-05-01T07:00:00Z","date_published":"2017-05-01T07:00:00Z","updated_at":"2026-07-24T04:35:23Z","subjects":["apparatus theory","audio recording","Blumlein","critical theory","sound studies","stereophony"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opensiuc.lib.siu.edu/dissertations/1343","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Metz, Walter"]},{"key":"dc:creator","label":"Author","values":["Caringer, Kelly Heath"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Mass Communication and Media Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Only Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["apparatus theory","audio recording","Blumlein","critical theory","sound studies","stereophony"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opensiuc.lib.siu.edu/dissertations/1343"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation seeks to identify the purposive force that determines the form and function of commercial stereophony in capitalist society, and the ways in which this force affects the productive and consumptive activities of stereophonic practitioners and listening audiences. Employing dialectical materialism, I examine three social processes that either historically established or continue to influence the mediative potential of stereophonic sound: the invention and industrial standardization of the stereophonic apparatus, the professionalization of stereophonic practitioners, and the social construction of stereophonic listeners as a mass consuming audience. These interrelated studies reveal perceived economic necessity as the dominant causal force that governs all stereophonic processes and practices under the capitalist economic system. Informed by my chapter findings, which complicate Karl Marx’s materialist base and superstructure schema – a coarse conceptual abstraction of capitalist production, I construct a more refined and flexible schematic diagram that offers a distinctive bird’s eye view of the universal interplay between capitalists, producers and consumers. This novel conceptual schematic depicts productive forces and productive relations as coterminous expressions of the dual-purpose of capitalism: to produce surplus-value for accumulation by capitalists, and to do so in perpetuity."]},{"key":"dc:title","label":"Title","values":["To Produce and Persist: A Dialectical Investigation of Purpose in Commercial Stereophony"]}]}],"canonical_facts":{"dc:contributor":["Metz, Walter"],"dc:creator":["Caringer, Kelly Heath"],"dc:date.available":["2018-08-03T07:00:00Z"],"dc:description.abstract":["This dissertation seeks to identify the purposive force that determines the form and function of commercial stereophony in capitalist society, and the ways in which this force affects the productive and consumptive activities of stereophonic practitioners and listening audiences. Employing dialectical materialism, I examine three social processes that either historically established or continue to influence the mediative potential of stereophonic sound: the invention and industrial standardization of the stereophonic apparatus, the professionalization of stereophonic practitioners, and the social construction of stereophonic listeners as a mass consuming audience. These interrelated studies reveal perceived economic necessity as the dominant causal force that governs all stereophonic processes and practices under the capitalist economic system. Informed by my chapter findings, which complicate Karl Marx’s materialist base and superstructure schema – a coarse conceptual abstraction of capitalist production, I construct a more refined and flexible schematic diagram that offers a distinctive bird’s eye view of the universal interplay between capitalists, producers and consumers. This novel conceptual schematic depicts productive forces and productive relations as coterminous expressions of the dual-purpose of capitalism: to produce surplus-value for accumulation by capitalists, and to do so in perpetuity."],"dc:identifier":["https://opensiuc.lib.siu.edu/dissertations/1343"],"dc:subject":["apparatus theory","audio recording","Blumlein","critical theory","sound studies","stereophony"],"dc:title":["To Produce and Persist: A Dialectical Investigation of Purpose in Commercial Stereophony"],"thesis:degree_discipline":["Mass Communication and Media Arts"],"thesis:degree_level":["Campus Only Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T04:35:23Z"}