{"id":{"repo_id":"siu-theses","oai_identifier":"oai:opensiuc.lib.siu.edu:dissertations-1823"},"canonical_url":"https://search.dev.ndltd.org/etd/siu-theses/oai:opensiuc.lib.siu.edu:dissertations-1823","repository":{"repo_id":"siu-theses","name":"Southern Illinois University","base_url":"https://opensiuc.lib.siu.edu/do/oai/"},"display":{"title":"The Collaborative Performance of Open Mic Poetry and the Art of Making Do","abstract":"Open mic poetry events are representative examples of a widespread and socially significant performance phenomenon--the relational and dialogic art and activism of the sustained encounter as a demonstration of the possibility for new social relations. Open mic performances center the pleasure of creating and sharing art and relationships in a manner that works against the value systems of capitalistic exchange and enterprise. I conduct an autoethnographic study of the Transpoetic Playground--a reoccurring open mic poetry event in Carbondale, Illinois. This study mixes performative writing, poetry, and personal narrative with the ethnographic methods of participation observation and interviewing in order to tell a story of an amateur performance poetry community and what it can teach about how to resist the constraints of contemporary socio-communicative relations.","abstract_html":"Open mic poetry events are representative examples of a widespread and socially significant performance phenomenon--the relational and dialogic art and activism of the sustained encounter as a demonstration of the possibility for new social relations. Open mic performances center the pleasure of creating and sharing art and relationships in a manner that works against the value systems of capitalistic exchange and enterprise. I conduct an autoethnographic study of the Transpoetic Playground--a reoccurring open mic poetry event in Carbondale, Illinois. This study mixes performative writing, poetry, and personal narrative with the ethnographic methods of participation observation and interviewing in order to tell a story of an amateur performance poetry community and what it can teach about how to resist the constraints of contemporary socio-communicative relations.","abstract_has_math":false,"creators":["Hassert, Joseph"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Campus Only Dissertation","degree_discipline":"Speech Communication","degree_department":null,"school":null,"contributors":["Stucky, Nathan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-05-01T07:00:00Z","date_published":"2014-05-01T07:00:00Z","updated_at":"2026-07-24T04:34:20Z","subjects":["activism","autoethnography","community","open mic","poetry","relational art"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opensiuc.lib.siu.edu/dissertations/820","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Stucky, Nathan"]},{"key":"dc:creator","label":"Author","values":["Hassert, Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Speech Communication"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Only Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["activism","autoethnography","community","open mic","poetry","relational art"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opensiuc.lib.siu.edu/dissertations/820"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Open mic poetry events are representative examples of a widespread and socially significant performance phenomenon--the relational and dialogic art and activism of the sustained encounter as a demonstration of the possibility for new social relations. Open mic performances center the pleasure of creating and sharing art and relationships in a manner that works against the value systems of capitalistic exchange and enterprise. I conduct an autoethnographic study of the Transpoetic Playground--a reoccurring open mic poetry event in Carbondale, Illinois. This study mixes performative writing, poetry, and personal narrative with the ethnographic methods of participation observation and interviewing in order to tell a story of an amateur performance poetry community and what it can teach about how to resist the constraints of contemporary socio-communicative relations."]},{"key":"dc:title","label":"Title","values":["The Collaborative Performance of Open Mic Poetry and the Art of Making Do"]}]}],"canonical_facts":{"dc:contributor":["Stucky, Nathan"],"dc:creator":["Hassert, Joseph"],"dc:description.abstract":["Open mic poetry events are representative examples of a widespread and socially significant performance phenomenon--the relational and dialogic art and activism of the sustained encounter as a demonstration of the possibility for new social relations. Open mic performances center the pleasure of creating and sharing art and relationships in a manner that works against the value systems of capitalistic exchange and enterprise. I conduct an autoethnographic study of the Transpoetic Playground--a reoccurring open mic poetry event in Carbondale, Illinois. This study mixes performative writing, poetry, and personal narrative with the ethnographic methods of participation observation and interviewing in order to tell a story of an amateur performance poetry community and what it can teach about how to resist the constraints of contemporary socio-communicative relations."],"dc:identifier":["https://opensiuc.lib.siu.edu/dissertations/820"],"dc:subject":["activism","autoethnography","community","open mic","poetry","relational art"],"dc:title":["The Collaborative Performance of Open Mic Poetry and the Art of Making Do"],"thesis:degree_discipline":["Speech Communication"],"thesis:degree_level":["Campus Only Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T04:34:20Z"}