{"id":{"repo_id":"siu-theses","oai_identifier":"oai:opensiuc.lib.siu.edu:dissertations-1678"},"canonical_url":"https://search.dev.ndltd.org/etd/siu-theses/oai:opensiuc.lib.siu.edu:dissertations-1678","repository":{"repo_id":"siu-theses","name":"Southern Illinois University","base_url":"https://opensiuc.lib.siu.edu/do/oai/"},"display":{"title":"Writing the Apocalypse: Literary Representations of Eschatology at the End of the Middle Ages","abstract":"This dissertation explores the utopian and dystopian tones of apocalypticism in medieval secular literature and how literary authors treated the end of time. Beginning with two different representational models of medieval apocalyptic, notably those of St Augustine of Hippo and of Joachim of Fiore, this study examines to what extent selected literary texts adhered to or deviated from those models. Those texts include Marie de France's Espurgatoire seint Patriz, William Langland's Piers Plowman, Geoffrey Chaucer's The Pardoner's Tale, and Thomas Malory's Le Morte D'arthur. This dissertation reveals that several texts subscribed to an expectation of cosmic and personal annihilation, in the Augustinian representation, or of global transformation in the Joachist version. Nearly all of the texts agree in their bleak outlook regarding the end of time, suggesting a climate of fear predominated in the Middle Ages. While the projected Christian eschatological timeline should have fostered hope for the saved, what it produced was often terrors of eternity and emptiness.","abstract_html":"This dissertation explores the utopian and dystopian tones of apocalypticism in medieval secular literature and how literary authors treated the end of time. Beginning with two different representational models of medieval apocalyptic, notably those of St Augustine of Hippo and of Joachim of Fiore, this study examines to what extent selected literary texts adhered to or deviated from those models. Those texts include Marie de France's Espurgatoire seint Patriz, William Langland's Piers Plowman, Geoffrey Chaucer's The Pardoner's Tale, and Thomas Malory's Le Morte D'arthur. This dissertation reveals that several texts subscribed to an expectation of cosmic and personal annihilation, in the Augustinian representation, or of global transformation in the Joachist version. Nearly all of the texts agree in their bleak outlook regarding the end of time, suggesting a climate of fear predominated in the Middle Ages. While the projected Christian eschatological timeline should have fostered hope for the saved, what it produced was often terrors of eternity and emptiness.","abstract_has_math":false,"creators":["Fullman, Joshua"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Campus Only Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Amos, Mark"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-01T07:00:00Z","date_published":"2013-05-01T07:00:00Z","updated_at":"2026-07-24T04:34:11Z","subjects":["Apocalypticism","Eschatology","Le Morte Darthur","Piers Plowman","St Patrick's Purgatory","The Pardoner"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opensiuc.lib.siu.edu/dissertations/676","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Amos, Mark"]},{"key":"dc:creator","label":"Author","values":["Fullman, Joshua"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Only Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Apocalypticism","Eschatology","Le Morte Darthur","Piers Plowman","St Patrick's Purgatory","The Pardoner"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opensiuc.lib.siu.edu/dissertations/676"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation explores the utopian and dystopian tones of apocalypticism in medieval secular literature and how literary authors treated the end of time. Beginning with two different representational models of medieval apocalyptic, notably those of St Augustine of Hippo and of Joachim of Fiore, this study examines to what extent selected literary texts adhered to or deviated from those models. Those texts include Marie de France's Espurgatoire seint Patriz, William Langland's Piers Plowman, Geoffrey Chaucer's The Pardoner's Tale, and Thomas Malory's Le Morte D'arthur. This dissertation reveals that several texts subscribed to an expectation of cosmic and personal annihilation, in the Augustinian representation, or of global transformation in the Joachist version. Nearly all of the texts agree in their bleak outlook regarding the end of time, suggesting a climate of fear predominated in the Middle Ages. While the projected Christian eschatological timeline should have fostered hope for the saved, what it produced was often terrors of eternity and emptiness."]},{"key":"dc:title","label":"Title","values":["Writing the Apocalypse: Literary Representations of Eschatology at the End of the Middle Ages"]}]}],"canonical_facts":{"dc:contributor":["Amos, Mark"],"dc:creator":["Fullman, Joshua"],"dc:description.abstract":["This dissertation explores the utopian and dystopian tones of apocalypticism in medieval secular literature and how literary authors treated the end of time. Beginning with two different representational models of medieval apocalyptic, notably those of St Augustine of Hippo and of Joachim of Fiore, this study examines to what extent selected literary texts adhered to or deviated from those models. Those texts include Marie de France's Espurgatoire seint Patriz, William Langland's Piers Plowman, Geoffrey Chaucer's The Pardoner's Tale, and Thomas Malory's Le Morte D'arthur. This dissertation reveals that several texts subscribed to an expectation of cosmic and personal annihilation, in the Augustinian representation, or of global transformation in the Joachist version. Nearly all of the texts agree in their bleak outlook regarding the end of time, suggesting a climate of fear predominated in the Middle Ages. While the projected Christian eschatological timeline should have fostered hope for the saved, what it produced was often terrors of eternity and emptiness."],"dc:identifier":["https://opensiuc.lib.siu.edu/dissertations/676"],"dc:subject":["Apocalypticism","Eschatology","Le Morte Darthur","Piers Plowman","St Patrick's Purgatory","The Pardoner"],"dc:title":["Writing the Apocalypse: Literary Representations of Eschatology at the End of the Middle Ages"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Campus Only Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T04:34:11Z"}