{"id":{"repo_id":"siu-theses","oai_identifier":"oai:opensiuc.lib.siu.edu:dissertations-1376"},"canonical_url":"https://search.dev.ndltd.org/etd/siu-theses/oai:opensiuc.lib.siu.edu:dissertations-1376","repository":{"repo_id":"siu-theses","name":"Southern Illinois University","base_url":"https://opensiuc.lib.siu.edu/do/oai/"},"display":{"title":"Melancholy and Satire: Representation of Islam and Nationhood in the Works of Salman Rushdie and Orhan Pamuk","abstract":"This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates two types of perspectives: satirical and melancholic. I argue that both authors narrativize a similar process of confronting the western cultural legacy, but differ in their reflection on their national and Islamic backgrounds.","abstract_html":"This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates two types of perspectives: satirical and melancholic. I argue that both authors narrativize a similar process of confronting the western cultural legacy, but differ in their reflection on their national and Islamic backgrounds.","abstract_has_math":false,"creators":["Duman, Mustafa Onur"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Campus Only Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Molino, Michael"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-08-01T07:00:00Z","date_published":"2011-08-01T07:00:00Z","updated_at":"2026-07-24T04:33:47Z","subjects":["hybridity","islam","modern","postcolonial","turkey"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opensiuc.lib.siu.edu/dissertations/376","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Molino, Michael"]},{"key":"dc:creator","label":"Author","values":["Duman, Mustafa Onur"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-31T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Only Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["hybridity","islam","modern","postcolonial","turkey"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opensiuc.lib.siu.edu/dissertations/376"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates two types of perspectives: satirical and melancholic. I argue that both authors narrativize a similar process of confronting the western cultural legacy, but differ in their reflection on their national and Islamic backgrounds."]},{"key":"dc:title","label":"Title","values":["Melancholy and Satire: Representation of Islam and Nationhood in the Works of Salman Rushdie and Orhan Pamuk"]}]}],"canonical_facts":{"dc:contributor":["Molino, Michael"],"dc:creator":["Duman, Mustafa Onur"],"dc:date.available":["2013-10-31T07:00:00Z"],"dc:description.abstract":["This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates two types of perspectives: satirical and melancholic. I argue that both authors narrativize a similar process of confronting the western cultural legacy, but differ in their reflection on their national and Islamic backgrounds."],"dc:identifier":["https://opensiuc.lib.siu.edu/dissertations/376"],"dc:subject":["hybridity","islam","modern","postcolonial","turkey"],"dc:title":["Melancholy and Satire: Representation of Islam and Nationhood in the Works of Salman Rushdie and Orhan Pamuk"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Campus Only Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T04:33:47Z"}