Abstract
dc:description.abstract<p>As composers gain access to better tools, digital mockups have increasingly grown in popularity. Composers often aim to emulate an idealized orchestral sound in their mockups. By understanding the nature of acoustic orchestration and instrumentation, specific techniques and approaches for virtual instruments and sample libraries, and methods to process and manipulate MIDI audio, composers can achieve this idealized sound. This thesis will focus on the common techniques and methods that composers can use to achieve this in digital mockups. Concluding the thesis is an original work that combines digital and live instruments while exploring different techniques to achieve an ideal sound.</p>
Degree
thesis:*- Name thesis:degree_name
- Master of Music
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- School of Music
- Year dc:date.available
- 2024
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Bartley, Jimmy
- Contributors dc:contributor
-
- Benjamin Morris
- Stephen Lias
- Andrea Denis
Subjects
dc:subject × 12Identifiers
dc:identifier.*- Repository record dc:identifier
- https://scholarworks.sfasu.edu/etds/540
- OAI identifier oai:identifier
- oai:scholarworks.sfasu.edu:etds-1587