{"id":{"repo_id":"sfasu","oai_identifier":"oai:scholarworks.sfasu.edu:etds-1565"},"canonical_url":"https://search.dev.ndltd.org/etd/sfasu/oai:scholarworks.sfasu.edu:etds-1565","repository":{"repo_id":"sfasu","name":"Stephen F. Austin State University","base_url":"https://scholarworks.sfasu.edu/do/oai/"},"display":{"title":"CHARACTER DEVELOPMENT AND REVOLUTION: USE OF LEITMOTIF IN THE FIRST ACTS OF LES MISÉRABLES AND HAMILTON: AN AMERICAN MUSICAL","abstract":"<p>Leitmotif, a recurring musical theme that represents a character, idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif as a storytelling device. This thesis explores how the two musicals use leitmotif differently, through the lens of the protagonists, antagonists, and supporting characters. Though the leitmotifs in Les Misérables generally represent ideas and the leitmotifs in Hamilton are mostly character-based, this tool aids the overall narrative in both shows.</p>","abstract_html":"&lt;p&gt;Leitmotif, a recurring musical theme that represents a character, idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif as a storytelling device. This thesis explores how the two musicals use leitmotif differently, through the lens of the protagonists, antagonists, and supporting characters. Though the leitmotifs in Les Misérables generally represent ideas and the leitmotifs in Hamilton are mostly character-based, this tool aids the overall narrative in both shows.&lt;/p&gt;","abstract_has_math":false,"creators":["Pezzillo, Mary Katherine"],"institution":null,"degree_name":"Master of Music","degree_level":"Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Dr. Samantha Inman","Dr. Stephen Lias","Dr. Inga Meier"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-12-01T08:00:00Z","date_published":"2023-12-01T08:00:00Z","updated_at":"2026-07-24T04:30:45Z","subjects":["Leitmotif","Hamilton","Les Misérables","Music Theory"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/522","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Samantha Inman","Dr. Stephen Lias","Dr. Inga Meier"]},{"key":"dc:creator","label":"Author","values":["Pezzillo, Mary Katherine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-12-09T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Leitmotif","Hamilton","Les Misérables","Music Theory"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/522"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Leitmotif, a recurring musical theme that represents a character, idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif as a storytelling device. This thesis explores how the two musicals use leitmotif differently, through the lens of the protagonists, antagonists, and supporting characters. Though the leitmotifs in Les Misérables generally represent ideas and the leitmotifs in Hamilton are mostly character-based, this tool aids the overall narrative in both shows.</p>"]},{"key":"dc:title","label":"Title","values":["CHARACTER DEVELOPMENT AND REVOLUTION: USE OF LEITMOTIF IN THE FIRST ACTS OF LES MISÉRABLES AND HAMILTON: AN AMERICAN MUSICAL"]}]}],"canonical_facts":{"dc:contributor":["Dr. Samantha Inman","Dr. Stephen Lias","Dr. Inga Meier"],"dc:creator":["Pezzillo, Mary Katherine"],"dc:date.available":["2023-12-09T08:00:00Z"],"dc:description.abstract":["<p>Leitmotif, a recurring musical theme that represents a character, idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif as a storytelling device. This thesis explores how the two musicals use leitmotif differently, through the lens of the protagonists, antagonists, and supporting characters. Though the leitmotifs in Les Misérables generally represent ideas and the leitmotifs in Hamilton are mostly character-based, this tool aids the overall narrative in both shows.</p>"],"dc:identifier":["https://scholarworks.sfasu.edu/etds/522"],"dc:subject":["Leitmotif","Hamilton","Les Misérables","Music Theory"],"dc:title":["CHARACTER DEVELOPMENT AND REVOLUTION: USE OF LEITMOTIF IN THE FIRST ACTS OF LES MISÉRABLES AND HAMILTON: AN AMERICAN MUSICAL"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Music"]},"updated_at":"2026-07-24T04:30:45Z"}