{"id":{"repo_id":"sfasu","oai_identifier":"oai:scholarworks.sfasu.edu:etds-1534"},"canonical_url":"https://search.dev.ndltd.org/etd/sfasu/oai:scholarworks.sfasu.edu:etds-1534","repository":{"repo_id":"sfasu","name":"Stephen F. Austin State University","base_url":"https://scholarworks.sfasu.edu/do/oai/"},"display":{"title":"A Score of Voices: Creating and Scoring an Original Film With A cappella Choir","abstract":"<p>Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of 800 films, none contained a score that was completely c. Thus, the body of unaccompanied choral film scores is practically non-existent. This curious gap in repertoire inspired me to create the documentary <em>Downstream </em>(2023) and score it entirely with an unaccompanied choir. The full score to this new work is contained within this thesis, along with a cursory analysis and historical overview of choral music in film. Finally, as a template and test case for other composers, I provide insight and analysis into my own creative process and unique challenges and benefits afforded by vocal ensembles in film.</p>","abstract_html":"&lt;p&gt;Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of 800 films, none contained a score that was completely c. Thus, the body of unaccompanied choral film scores is practically non-existent. This curious gap in repertoire inspired me to create the documentary &lt;em&gt;Downstream &lt;/em&gt;(2023) and score it entirely with an unaccompanied choir. The full score to this new work is contained within this thesis, along with a cursory analysis and historical overview of choral music in film. Finally, as a template and test case for other composers, I provide insight and analysis into my own creative process and unique challenges and benefits afforded by vocal ensembles in film.&lt;/p&gt;","abstract_has_math":false,"creators":["Moore, Zachary James"],"institution":null,"degree_name":"Master of Music","degree_level":"Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Dr. Stephen Lias","Dr. Ben Morris","Dr. Michael Murphy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05-01T07:00:00Z","date_published":"2023-05-01T07:00:00Z","updated_at":"2026-07-24T04:30:37Z","subjects":["Film A cappella Choir Downstream Unaccompanied Score","Composition"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/488","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Stephen Lias","Dr. Ben Morris","Dr. Michael Murphy"]},{"key":"dc:creator","label":"Author","values":["Moore, Zachary James"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-05-05T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Film A cappella Choir Downstream Unaccompanied Score","Composition"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/488"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of 800 films, none contained a score that was completely c. Thus, the body of unaccompanied choral film scores is practically non-existent. This curious gap in repertoire inspired me to create the documentary <em>Downstream </em>(2023) and score it entirely with an unaccompanied choir. The full score to this new work is contained within this thesis, along with a cursory analysis and historical overview of choral music in film. Finally, as a template and test case for other composers, I provide insight and analysis into my own creative process and unique challenges and benefits afforded by vocal ensembles in film.</p>"]},{"key":"dc:title","label":"Title","values":["A Score of Voices: Creating and Scoring an Original Film With A cappella Choir"]}]}],"canonical_facts":{"dc:contributor":["Dr. Stephen Lias","Dr. Ben Morris","Dr. Michael Murphy"],"dc:creator":["Moore, Zachary James"],"dc:date.available":["2023-05-05T07:00:00Z"],"dc:description.abstract":["<p>Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of 800 films, none contained a score that was completely c. Thus, the body of unaccompanied choral film scores is practically non-existent. This curious gap in repertoire inspired me to create the documentary <em>Downstream </em>(2023) and score it entirely with an unaccompanied choir. The full score to this new work is contained within this thesis, along with a cursory analysis and historical overview of choral music in film. Finally, as a template and test case for other composers, I provide insight and analysis into my own creative process and unique challenges and benefits afforded by vocal ensembles in film.</p>"],"dc:identifier":["https://scholarworks.sfasu.edu/etds/488"],"dc:subject":["Film A cappella Choir Downstream Unaccompanied Score","Composition"],"dc:title":["A Score of Voices: Creating and Scoring an Original Film With A cappella Choir"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Music"]},"updated_at":"2026-07-24T04:30:37Z"}