{"id":{"repo_id":"sfasu","oai_identifier":"oai:scholarworks.sfasu.edu:etds-1527"},"canonical_url":"https://search.dev.ndltd.org/etd/sfasu/oai:scholarworks.sfasu.edu:etds-1527","repository":{"repo_id":"sfasu","name":"Stephen F. Austin State University","base_url":"https://scholarworks.sfasu.edu/do/oai/"},"display":{"title":"THE RISE OF WAVETABLE SYNTHESIS IN COMMERCIAL MUSIC AND ITS CREATIVE APPLICATIONS","abstract":"<p>Wavetable synthesis is a powerful tool for music creation that helps composers and producers develop their own unique sounds. Though wavetable synthesis has been utilized in music since the early 1980s, advancements in computer technologies in the 2000s and the subsequent releases of software synthesizers in the late 2000s and early 2010s has led to the increased presence of wavetable synthesis in commercial music. This thesis chronicles a historical overview of the use of wavetable synthesis in commercial music and demonstrates the accessibility and power that wavetable synthesis delivers in music creation. The demonstration portion of this thesis features two original compositions in the style of electronic dance music (EDM) that prominently incorporate original wavetable instruments created from recordings of two motorized vehicles, as well as an overview of the processes of their creation.</p>","abstract_html":"&lt;p&gt;Wavetable synthesis is a powerful tool for music creation that helps composers and producers develop their own unique sounds. Though wavetable synthesis has been utilized in music since the early 1980s, advancements in computer technologies in the 2000s and the subsequent releases of software synthesizers in the late 2000s and early 2010s has led to the increased presence of wavetable synthesis in commercial music. This thesis chronicles a historical overview of the use of wavetable synthesis in commercial music and demonstrates the accessibility and power that wavetable synthesis delivers in music creation. The demonstration portion of this thesis features two original compositions in the style of electronic dance music (EDM) that prominently incorporate original wavetable instruments created from recordings of two motorized vehicles, as well as an overview of the processes of their creation.&lt;/p&gt;","abstract_has_math":false,"creators":["Scroggs, Garrett Norman"],"institution":null,"degree_name":"Master of Music","degree_level":"Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["James Adams","Stephen Lias","Benjamin Morris"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05-01T07:00:00Z","date_published":"2023-05-01T07:00:00Z","updated_at":"2026-07-24T04:30:37Z","subjects":["wavetable","synthesis","wavetable synthesis","commercial music","electronic dance music","Other Music"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/498","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["James Adams","Stephen Lias","Benjamin Morris"]},{"key":"dc:creator","label":"Author","values":["Scroggs, Garrett Norman"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-05-04T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["wavetable","synthesis","wavetable synthesis","commercial music","electronic dance music","Other Music"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/498"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Wavetable synthesis is a powerful tool for music creation that helps composers and producers develop their own unique sounds. Though wavetable synthesis has been utilized in music since the early 1980s, advancements in computer technologies in the 2000s and the subsequent releases of software synthesizers in the late 2000s and early 2010s has led to the increased presence of wavetable synthesis in commercial music. This thesis chronicles a historical overview of the use of wavetable synthesis in commercial music and demonstrates the accessibility and power that wavetable synthesis delivers in music creation. The demonstration portion of this thesis features two original compositions in the style of electronic dance music (EDM) that prominently incorporate original wavetable instruments created from recordings of two motorized vehicles, as well as an overview of the processes of their creation.</p>"]},{"key":"dc:title","label":"Title","values":["THE RISE OF WAVETABLE SYNTHESIS IN COMMERCIAL MUSIC AND ITS CREATIVE APPLICATIONS"]}]}],"canonical_facts":{"dc:contributor":["James Adams","Stephen Lias","Benjamin Morris"],"dc:creator":["Scroggs, Garrett Norman"],"dc:date.available":["2023-05-04T07:00:00Z"],"dc:description.abstract":["<p>Wavetable synthesis is a powerful tool for music creation that helps composers and producers develop their own unique sounds. Though wavetable synthesis has been utilized in music since the early 1980s, advancements in computer technologies in the 2000s and the subsequent releases of software synthesizers in the late 2000s and early 2010s has led to the increased presence of wavetable synthesis in commercial music. This thesis chronicles a historical overview of the use of wavetable synthesis in commercial music and demonstrates the accessibility and power that wavetable synthesis delivers in music creation. 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