Making Malice Musical: Verdi’s Compositional Journey Through the Eyes of Six Villains

<p>Giuseppe Verdi is a pillar of the operatic world and had a profound impact on the evolution of the art form. From a rudimentary beginning, he developed over time from a popular creator of operas in the <em>solita forma </em>style<em> </em>of 19^th century Italy into a master craftsman of combining music, text, and theatrical drama. Verdi utilized the popular compositional formal convention of <em>solita forma</em> to begin his career. Over time he evolved beyond its boundaries and shifted his focus to the holistic theatrical presentation of the drama. Much has been written about this evolution through analysis of Verdi’s most famous operas and their arias. This paper instead focuses on the arias of six villains, and through those arias, examines Verdi’s evolution from <em>solita forma </em>to the through–composed, free style he adopted near the end of his life. His desire to provide theatrically suitable accompaniment for the malicious intentions and actions of his villains, and his need to tell a complete theatrical musical story, both influenced his choices in compositional form and led him eventually to leave <em>solita forma </em>behind entirely.</p>

Name thesis:degree_name

Master of Music

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

School of Music

Year dc:date.available

2023

Author dc:creator

• Chadwick, Michael

Contributors dc:contributor

• Samantha Inman, Ph.D.
• Benjamin Morris, D.M.A.
• Scott LaGraff, D.M.A.

• Verdi
• opera
• villains
• composition
• solita forma
• Musicology
• Music Performance
• Music Theory

Repository record dc:identifier

https://scholarworks.sfasu.edu/etds/493

OAI identifier oai:identifier

oai:scholarworks.sfasu.edu:etds-1522