El álbum, El mal querer (2018), de la artista española, Rosalía, se basa en un romance medieval, El Roman de Flamenca, y cuenta la historia de una mujer que sufre violencia de género a manos de su esposo. Esta obra no solamente dialoga con Flamenca, sino que también conversa con una variedad de textos musicales y visuales. Usando primariamente la noción de la transtextualidad expresada por Gerard Genette en su obra, Palimpsestos (1982), esta tesis explora cómo las relaciones transtextuales en los aspectos literarios, musicales y visuales de El mal querer indaga el tema de la violencia de género cómo se presentó históricamente y hoy en día.
The album, El mal querer (2018), by the Spanish artist, Rosalía, is based on a medieval romance, El Roman de Flamenca, and tells the story of a woman who suffers gender violence at the hands of her husband. This album not only converses with Flamenca, but with a variety of musical and visual texts, as well. Using primarily the notion of transtextuality expressed by Gerard Genette in his work, Palimpsests (1982), this thesis investigates how the transtextual relationships in the literary, musical, and visual aspects of El mal querer explore the presentation of the theme of gender violence historically and today.
","abstract_html":"<p><em> </em>El álbum, <em>El mal querer</em> (2018), de la artista española, Rosalía, se basa en un romance medieval, <em>El Roman de Flamenca</em>, y cuenta la historia de una mujer que sufre violencia de género a manos de su esposo. Esta obra no solamente dialoga con <em>Flamenca</em>, sino que también conversa con una variedad de textos musicales y visuales. Usando primariamente la noción de la transtextualidad expresada por Gerard Genette en su obra, <em>Palimpsestos </em>(1982), esta tesis explora cómo las relaciones transtextuales en los aspectos literarios, musicales y visuales de <em>El mal querer</em> indaga el tema de la violencia de género cómo se presentó históricamente y hoy en día.</p> <p><em> </em>The album, <em>El mal querer</em> (2018), by the Spanish artist, Rosalía, is based on a medieval <em>romance</em>, <em>El Roman de Flamenca</em>, and tells the story of a woman who suffers gender violence at the hands of her husband. This album not only converses with <em>Flamenca</em>, but with a variety of musical and visual texts, as well. Using primarily the notion of transtextuality expressed by Gerard Genette in his work, <em>Palimpsests </em>(1982), this thesis investigates how the transtextual relationships in the literary, musical, and visual aspects of <em>El mal querer</em> explore the presentation of the theme of gender violence historically and today.</p>","abstract_has_math":false,"creators":["Shelton, Susan"],"institution":null,"degree_name":"Master of Arts - Hispanic Studies","degree_level":"Thesis","degree_discipline":"Languages, Cultures and Communication","degree_department":null,"school":null,"contributors":["Dr. Carlos Cuadra","Dr. Juan Carlos Ureña","Dr. José Neftalí Recinos"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-07-01T07:00:00Z","date_published":"2021-07-01T07:00:00Z","updated_at":"2026-07-24T04:30:30Z","subjects":["El mal querer","Gerard Genette","transtextualidad","textos musicales","textos visuales","violencia de género","Spanish and Portuguese Language and Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/432","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Carlos Cuadra","Dr. Juan Carlos Ureña","Dr. José Neftalí Recinos"]},{"key":"dc:creator","label":"Author","values":["Shelton, Susan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2022-01-01T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Languages, Cultures and Communication"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts - Hispanic Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["El mal querer","Gerard Genette","transtextualidad","textos musicales","textos visuales","violencia de género","Spanish and Portuguese Language and Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/432"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["El álbum, El mal querer (2018), de la artista española, Rosalía, se basa en un romance medieval, El Roman de Flamenca, y cuenta la historia de una mujer que sufre violencia de género a manos de su esposo. Esta obra no solamente dialoga con Flamenca, sino que también conversa con una variedad de textos musicales y visuales. Usando primariamente la noción de la transtextualidad expresada por Gerard Genette en su obra, Palimpsestos (1982), esta tesis explora cómo las relaciones transtextuales en los aspectos literarios, musicales y visuales de El mal querer indaga el tema de la violencia de género cómo se presentó históricamente y hoy en día.
The album, El mal querer (2018), by the Spanish artist, Rosalía, is based on a medieval romance, El Roman de Flamenca, and tells the story of a woman who suffers gender violence at the hands of her husband. This album not only converses with Flamenca, but with a variety of musical and visual texts, as well. Using primarily the notion of transtextuality expressed by Gerard Genette in his work, Palimpsests (1982), this thesis investigates how the transtextual relationships in the literary, musical, and visual aspects of El mal querer explore the presentation of the theme of gender violence historically and today.
"]},{"key":"dc:title","label":"Title","values":["La transtextualidad en El mal querer de Rosalía"]}]}],"canonical_facts":{"dc:contributor":["Dr. Carlos Cuadra","Dr. Juan Carlos Ureña","Dr. José Neftalí Recinos"],"dc:creator":["Shelton, Susan"],"dc:date.available":["2022-01-01T08:00:00Z"],"dc:description.abstract":["El álbum, El mal querer (2018), de la artista española, Rosalía, se basa en un romance medieval, El Roman de Flamenca, y cuenta la historia de una mujer que sufre violencia de género a manos de su esposo. Esta obra no solamente dialoga con Flamenca, sino que también conversa con una variedad de textos musicales y visuales. Usando primariamente la noción de la transtextualidad expresada por Gerard Genette en su obra, Palimpsestos (1982), esta tesis explora cómo las relaciones transtextuales en los aspectos literarios, musicales y visuales de El mal querer indaga el tema de la violencia de género cómo se presentó históricamente y hoy en día.
The album, El mal querer (2018), by the Spanish artist, Rosalía, is based on a medieval romance, El Roman de Flamenca, and tells the story of a woman who suffers gender violence at the hands of her husband. This album not only converses with Flamenca, but with a variety of musical and visual texts, as well. Using primarily the notion of transtextuality expressed by Gerard Genette in his work, Palimpsests (1982), this thesis investigates how the transtextual relationships in the literary, musical, and visual aspects of El mal querer explore the presentation of the theme of gender violence historically and today.
"],"dc:identifier":["https://scholarworks.sfasu.edu/etds/432"],"dc:subject":["El mal querer","Gerard Genette","transtextualidad","textos musicales","textos visuales","violencia de género","Spanish and Portuguese Language and Literature"],"dc:title":["La transtextualidad en El mal querer de Rosalía"],"thesis:degree_discipline":["Languages, Cultures and Communication"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts - Hispanic Studies"]},"updated_at":"2026-07-24T04:30:30Z"}