{"id":{"repo_id":"sfasu","oai_identifier":"oai:scholarworks.sfasu.edu:etds-1419"},"canonical_url":"https://search.dev.ndltd.org/etd/sfasu/oai:scholarworks.sfasu.edu:etds-1419","repository":{"repo_id":"sfasu","name":"Stephen F. Austin State University","base_url":"https://scholarworks.sfasu.edu/do/oai/"},"display":{"title":"Folk Music of Atlantis: An Exploration of Water as a Sound Source in Music","abstract":"<p>Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers. </p> <p>The written portion of the thesis includes a historical overview of water as a musical sound source, instructions for assembling the newly invented instruments, and an exegesis of Folk Music of Atlantis. It examines the interplay between form, thematic development, orchestration, and programmatic narrative, and demonstrates the ways in which the musical qualities of water inform the theoretical and programmatic underpinnings of the composition.</p>","abstract_html":"&lt;p&gt;Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers. &lt;/p&gt; &lt;p&gt;The written portion of the thesis includes a historical overview of water as a musical sound source, instructions for assembling the newly invented instruments, and an exegesis of Folk Music of Atlantis. It examines the interplay between form, thematic development, orchestration, and programmatic narrative, and demonstrates the ways in which the musical qualities of water inform the theoretical and programmatic underpinnings of the composition.&lt;/p&gt;","abstract_has_math":false,"creators":["Jackson, Lucy"],"institution":null,"degree_name":"Master of Music","degree_level":"Thesis","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Stephen Lias","Samantha Inman","Brad Meyer"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-05-09T07:00:00Z","date_published":"2020-05-09T07:00:00Z","updated_at":"2026-07-24T04:30:30Z","subjects":["water instruments","crystal glasses","waterphone","hydraulophone","Tan Dun","Viet Cuong","Composition"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/390","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Stephen Lias","Samantha Inman","Brad Meyer"]},{"key":"dc:creator","label":"Author","values":["Jackson, Lucy"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2021-05-29T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["water instruments","crystal glasses","waterphone","hydraulophone","Tan Dun","Viet Cuong","Composition"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/390"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers. </p> <p>The written portion of the thesis includes a historical overview of water as a musical sound source, instructions for assembling the newly invented instruments, and an exegesis of Folk Music of Atlantis. It examines the interplay between form, thematic development, orchestration, and programmatic narrative, and demonstrates the ways in which the musical qualities of water inform the theoretical and programmatic underpinnings of the composition.</p>"]},{"key":"dc:title","label":"Title","values":["Folk Music of Atlantis: An Exploration of Water as a Sound Source in Music"]}]}],"canonical_facts":{"dc:contributor":["Stephen Lias","Samantha Inman","Brad Meyer"],"dc:creator":["Jackson, Lucy"],"dc:date.available":["2021-05-29T07:00:00Z"],"dc:description.abstract":["<p>Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers. </p> <p>The written portion of the thesis includes a historical overview of water as a musical sound source, instructions for assembling the newly invented instruments, and an exegesis of Folk Music of Atlantis. It examines the interplay between form, thematic development, orchestration, and programmatic narrative, and demonstrates the ways in which the musical qualities of water inform the theoretical and programmatic underpinnings of the composition.</p>"],"dc:identifier":["https://scholarworks.sfasu.edu/etds/390"],"dc:subject":["water instruments","crystal glasses","waterphone","hydraulophone","Tan Dun","Viet Cuong","Composition"],"dc:title":["Folk Music of Atlantis: An Exploration of Water as a Sound Source in Music"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Music"]},"updated_at":"2026-07-24T04:30:30Z"}