{"id":{"repo_id":"sfasu","oai_identifier":"oai:scholarworks.sfasu.edu:etds-1255"},"canonical_url":"https://search.dev.ndltd.org/etd/sfasu/oai:scholarworks.sfasu.edu:etds-1255","repository":{"repo_id":"sfasu","name":"Stephen F. Austin State University","base_url":"https://scholarworks.sfasu.edu/do/oai/"},"display":{"title":"A Tale of Two Dogs Fine Art Exhibit","abstract":"<p>The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. Harris as a partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.</p> <p>By examining the multiple established points of view within his artwork, the author questions these establishments and asks if this approach leads to a relevant way of seeing. Using expanded polystyrene foam as a sculpture medium, a series of artworks created during the MFA research process are conceptually analyzed to explore the value of maintaining a multiplicity of viewpoints within a single composition. Through the examination of the various artworks and techniques, the author discovers that using multiple, often divergent points of view, within a single artwork (and by extension, a single exhibit) benefits the artist as a method of pushing creativity forward.</p>","abstract_html":"&lt;p&gt;The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. Harris as a partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.&lt;/p&gt; &lt;p&gt;By examining the multiple established points of view within his artwork, the author questions these establishments and asks if this approach leads to a relevant way of seeing. Using expanded polystyrene foam as a sculpture medium, a series of artworks created during the MFA research process are conceptually analyzed to explore the value of maintaining a multiplicity of viewpoints within a single composition. Through the examination of the various artworks and techniques, the author discovers that using multiple, often divergent points of view, within a single artwork (and by extension, a single exhibit) benefits the artist as a method of pushing creativity forward.&lt;/p&gt;","abstract_has_math":false,"creators":["Harris, Jeff"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Art","degree_department":null,"school":null,"contributors":["Jeff Brewer","Ron King","Peter Andrew"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-05-18T07:00:00Z","date_published":"2019-05-18T07:00:00Z","updated_at":"2026-07-24T04:30:22Z","subjects":["Tale","Dogs","Art","Exhibit","Sculpture"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.sfasu.edu/etds/237","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jeff Brewer","Ron King","Peter Andrew"]},{"key":"dc:creator","label":"Author","values":["Harris, Jeff"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-05-07T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Tale","Dogs","Art","Exhibit","Sculpture"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.sfasu.edu/etds/237"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. 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Through the examination of the various artworks and techniques, the author discovers that using multiple, often divergent points of view, within a single artwork (and by extension, a single exhibit) benefits the artist as a method of pushing creativity forward.</p>"]},{"key":"dc:title","label":"Title","values":["A Tale of Two Dogs Fine Art Exhibit"]}]}],"canonical_facts":{"dc:contributor":["Jeff Brewer","Ron King","Peter Andrew"],"dc:creator":["Harris, Jeff"],"dc:date.available":["2019-05-07T07:00:00Z"],"dc:description.abstract":["<p>The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. Harris as a partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.</p> <p>By examining the multiple established points of view within his artwork, the author questions these establishments and asks if this approach leads to a relevant way of seeing. Using expanded polystyrene foam as a sculpture medium, a series of artworks created during the MFA research process are conceptually analyzed to explore the value of maintaining a multiplicity of viewpoints within a single composition. Through the examination of the various artworks and techniques, the author discovers that using multiple, often divergent points of view, within a single artwork (and by extension, a single exhibit) benefits the artist as a method of pushing creativity forward.</p>"],"dc:identifier":["https://scholarworks.sfasu.edu/etds/237"],"dc:subject":["Tale","Dogs","Art","Exhibit","Sculpture"],"dc:title":["A Tale of Two Dogs Fine Art Exhibit"],"thesis:degree_discipline":["Art"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T04:30:22Z"}