{"id":{"repo_id":"sask","oai_identifier":"oai:harvest.usask.ca:10388/etd-12042008-143721"},"canonical_url":"https://search.dev.ndltd.org/etd/sask/oai:harvest.usask.ca:10388/etd-12042008-143721","repository":{"repo_id":"sask","name":"University of Saskatchewan","base_url":"https://harvest.usask.ca/server/oai/request"},"display":{"title":"A Carnivalesque Perspective of Graham Swift's Last Orders","abstract":"Graham Swift’s novel Last Orders has yet to be viewed as containing carnivalesque elements as defined by Mikhail Bakhtin in Rabelais and His World. Through the examination of Bakhtin’s theory of the carnivalesque and through a corresponding close reading of Last Orders, this article details the carnivalesque nature of the locations visited by the characters in the narrative, of the grotesque incidents that occur in these locations, and of the narrative style and structure of the novel itself.","abstract_html":"Graham Swift’s novel Last Orders has yet to be viewed as containing carnivalesque elements as defined by Mikhail Bakhtin in Rabelais and His World. Through the examination of Bakhtin’s theory of the carnivalesque and through a corresponding close reading of Last Orders, this article details the carnivalesque nature of the locations visited by the characters in the narrative, of the grotesque incidents that occur in these locations, and of the narrative style and structure of the novel itself.","abstract_has_math":false,"creators":["Willis, Catherine Jane"],"institution":"University of Saskatchewan","degree_name":"Master of Arts (M.A.)","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":["Cooley, Ron"],"committee_chairs":[],"committee_members":["Vargo, Lisa"],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-24T04:27:11Z","subjects":["hop-picking","Rabelais and His World","grotesque realism","Canterbury","pilgrimages","Carnivalesque","Last Orders","Graham Swift","Mikhail Bakhtin","Margate"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10388/etd-12042008-143721","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Cooley, Ron"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Vargo, Lisa"]},{"key":"dc:creator","label":"Author","values":["Willis, Catherine Jane"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2008-12-04T14:37:21Z","2013-01-04T05:09:46Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2010-01-07T08:00:00Z","2013-01-04T05:09:46Z"]},{"key":"dc:date.issued","label":"Date","values":["2008"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Saskatchewan"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["hop-picking","Rabelais and His World","grotesque realism","Canterbury","pilgrimages","Carnivalesque","Last Orders","Graham Swift","Mikhail Bakhtin","Margate"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10388/etd-12042008-143721"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Graham Swift’s novel Last Orders has yet to be viewed as containing carnivalesque elements as defined by Mikhail Bakhtin in Rabelais and His World. Through the examination of Bakhtin’s theory of the carnivalesque and through a corresponding close reading of Last Orders, this article details the carnivalesque nature of the locations visited by the characters in the narrative, of the grotesque incidents that occur in these locations, and of the narrative style and structure of the novel itself."]},{"key":"dc:title","label":"Title","values":["A Carnivalesque Perspective of Graham Swift's Last Orders"]}]}],"canonical_facts":{"dc:contributor.advisor":["Cooley, Ron"],"dc:contributor.committeemember":["Vargo, Lisa"],"dc:creator":["Willis, Catherine Jane"],"dc:date.accessioned":["2008-12-04T14:37:21Z","2013-01-04T05:09:46Z"],"dc:date.available":["2010-01-07T08:00:00Z","2013-01-04T05:09:46Z"],"dc:date.issued":["2008"],"dc:description.abstract":["Graham Swift’s novel Last Orders has yet to be viewed as containing carnivalesque elements as defined by Mikhail Bakhtin in Rabelais and His World. 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