{"id":{"repo_id":"sask","oai_identifier":"oai:harvest.usask.ca:10388/etd-04142008-145740"},"canonical_url":"https://search.dev.ndltd.org/etd/sask/oai:harvest.usask.ca:10388/etd-04142008-145740","repository":{"repo_id":"sask","name":"University of Saskatchewan","base_url":"https://harvest.usask.ca/server/oai/request"},"display":{"title":"Self/portrait","abstract":"SELF/PORTRAIT is an exploration of the creative process. Based in the genre of portraiture, this collection of work seeks to reveal the ways in which the artist&apos;s relationships and circumstances have factored into the creation of the resulting exhibition. This exploration involves the assessment of abandoned projects with the aim of gaining a greater understanding of their qualities that have served to motivate the creation of his art, and those that have hindered his artistic process. This thesis exhibition and support paper use an autobiographical approach to seek the elements of the artist&apos;s perception of art which have influenced the production of the work displayed, and how these are effected by the task of creating a Master&apos;s thesis exhibition. It explores the qualities of both Portraiture and Painting which have inspired and directed his endeavour. SELF/PORTRAIT seeks to display the artist&apos;s work as a process rather than a product.","abstract_html":"SELF/PORTRAIT is an exploration of the creative process. Based in the genre of portraiture, this collection of work seeks to reveal the ways in which the artist&amp;apos;s relationships and circumstances have factored into the creation of the resulting exhibition. This exploration involves the assessment of abandoned projects with the aim of gaining a greater understanding of their qualities that have served to motivate the creation of his art, and those that have hindered his artistic process. This thesis exhibition and support paper use an autobiographical approach to seek the elements of the artist&amp;apos;s perception of art which have influenced the production of the work displayed, and how these are effected by the task of creating a Master&amp;apos;s thesis exhibition. It explores the qualities of both Portraiture and Painting which have inspired and directed his endeavour. SELF/PORTRAIT seeks to display the artist&amp;apos;s work as a process rather than a product.","abstract_has_math":false,"creators":["Pilling, Rick A."],"institution":"University of Saskatchewan","degree_name":"Master of Fine Arts (M.F.A)","degree_level":"Masters","degree_discipline":"Art and Art History","degree_department":null,"school":null,"contributors":[],"advisors":["Norlen, Alison"],"committee_chairs":[],"committee_members":["Nowlin, Tim","Mullens, James G.","Purdue, Peter"],"year":2008,"date_issued":"2008-04-17","date_published":"2008-04-17","updated_at":"2026-07-24T04:26:45Z","subjects":["figurative painting","acrylic","self-portait","Rick Pilling","Rick A Pilling","Richard A Pilling","painting","portraiture","portait"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10388/etd-04142008-145740","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Norlen, Alison"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Nowlin, Tim","Mullens, James G.","Purdue, Peter"]},{"key":"dc:creator","label":"Author","values":["Pilling, Rick A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2008-04-14T14:57:40Z","2013-01-04T04:29:08Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2008-04-17T08:00:00Z","2013-01-04T04:29:08Z"]},{"key":"dc:date.issued","label":"Date","values":["2008-04-17"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art and Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (M.F.A)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Saskatchewan"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["figurative painting","acrylic","self-portait","Rick Pilling","Rick A Pilling","Richard A Pilling","painting","portraiture","portait"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10388/etd-04142008-145740"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["SELF/PORTRAIT is an exploration of the creative process. Based in the genre of portraiture, this collection of work seeks to reveal the ways in which the artist&apos;s relationships and circumstances have factored into the creation of the resulting exhibition. This exploration involves the assessment of abandoned projects with the aim of gaining a greater understanding of their qualities that have served to motivate the creation of his art, and those that have hindered his artistic process. This thesis exhibition and support paper use an autobiographical approach to seek the elements of the artist&apos;s perception of art which have influenced the production of the work displayed, and how these are effected by the task of creating a Master&apos;s thesis exhibition. It explores the qualities of both Portraiture and Painting which have inspired and directed his endeavour. SELF/PORTRAIT seeks to display the artist&apos;s work as a process rather than a product."]},{"key":"dc:title","label":"Title","values":["Self/portrait"]}]}],"canonical_facts":{"dc:contributor.advisor":["Norlen, Alison"],"dc:contributor.committeemember":["Nowlin, Tim","Mullens, James G.","Purdue, Peter"],"dc:creator":["Pilling, Rick A."],"dc:date.accessioned":["2008-04-14T14:57:40Z","2013-01-04T04:29:08Z"],"dc:date.available":["2008-04-17T08:00:00Z","2013-01-04T04:29:08Z"],"dc:date.issued":["2008-04-17"],"dc:description.abstract":["SELF/PORTRAIT is an exploration of the creative process. Based in the genre of portraiture, this collection of work seeks to reveal the ways in which the artist&apos;s relationships and circumstances have factored into the creation of the resulting exhibition. This exploration involves the assessment of abandoned projects with the aim of gaining a greater understanding of their qualities that have served to motivate the creation of his art, and those that have hindered his artistic process. This thesis exhibition and support paper use an autobiographical approach to seek the elements of the artist&apos;s perception of art which have influenced the production of the work displayed, and how these are effected by the task of creating a Master&apos;s thesis exhibition. It explores the qualities of both Portraiture and Painting which have inspired and directed his endeavour. SELF/PORTRAIT seeks to display the artist&apos;s work as a process rather than a product."],"dc:identifier.uri":["https://hdl.handle.net/10388/etd-04142008-145740"],"dc:language.iso":["en_US"],"dc:subject":["figurative painting","acrylic","self-portait","Rick Pilling","Rick A Pilling","Richard A Pilling","painting","portraiture","portait"],"dc:title":["Self/portrait"],"thesis:degree_discipline":["Art and Art History"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Fine Arts (M.F.A)"],"thesis:institution_name":["University of Saskatchewan"]},"updated_at":"2026-07-24T04:26:45Z"}