The One
type: CreativeWork
description: An exhibition thesis from Xiao Han, who presents large photographs as ‘stills’ from a fictitious movie set in late 20th century China, after the suppression of the Tiananmen Square Protest and the inauguration of the one- Child policy. The artist plays multiple roles in sites that are specifically gendered, to expose the exceptional impact the population control laws had on women. Traumatized social and psychic perspectives emerge from the political turmoil, registering as uncanny absences and repressed delays.
abstract: An exhibition thesis from Xiao Han, who presents large photographs as ‘stills’ from a fictitious movie set in late 20th century China, after the suppression of the Tiananmen Square Protest and the inauguration of the one- Child policy. The artist plays multiple roles in sites that are specifically gendered, to expose the exceptional impact the population control laws had on women. Traumatized social and psychic perspectives emerge from the political turmoil, registering as uncanny absences and repressed delays.
author: Han, Xiao
language: eng
keywords: One-child policy based art, Chinese Contemporary Photography, Self-performance Art.
date published: 2015-11-03
date modified: 2026-07-24T04:27:06Z
provider: University of Saskatchewan
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Saskatchewan

PropertyValue
property ID: Handle
value: https://hdl.handle.net/10388/ETD-2015-10-2274