{"id":{"repo_id":"sask","oai_identifier":"oai:harvest.usask.ca:10388/ETD-2015-10-2274"},"canonical_url":"https://search.dev.ndltd.org/etd/sask/oai:harvest.usask.ca:10388/ETD-2015-10-2274","repository":{"repo_id":"sask","name":"University of Saskatchewan","base_url":"https://harvest.usask.ca/server/oai/request"},"display":{"title":"The One","abstract":"An exhibition thesis from Xiao Han, who presents large photographs as ‘stills’ from a fictitious movie set in late 20th century China, after the suppression of the Tiananmen Square Protest and the inauguration of the one- Child policy. The artist plays multiple roles in sites that are specifically gendered, to expose the exceptional impact the population control laws had on women. 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