{"id":{"repo_id":"sask","oai_identifier":"oai:harvest.usask.ca:10388/7877"},"canonical_url":"https://search.dev.ndltd.org/etd/sask/oai:harvest.usask.ca:10388/7877","repository":{"repo_id":"sask","name":"University of Saskatchewan","base_url":"https://harvest.usask.ca/server/oai/request"},"display":{"title":""America Beckons, Americans Repel": Nativism, Racial Stereotypes, and the Naturalistic Impulse in Frank Norris's McTeague","abstract":"This thesis explores the ways in which Frank Norris's naturalism in his novel McTeague is at once compromised and sustained by his use of racial stereotypes. I begin by defining the term "nativism," and go on to clarify Norris's relationship to the nativist movement in America. I also suggest that Norris relies on racial stereotyping not only as a strategy for ordering the complex milieu of turn-of-the-century San Francisco, but as a way of limiting his characters' ability to engage their environment in meaningful ways. Moreover, I argue that Norris's use of racial stereotypes is primarily responsible for compromising his naturalism because his stereotypical rendering of ethnic minorities subordinates his belief in objectivity to his ethnocentrism.","abstract_html":"This thesis explores the ways in which Frank Norris's naturalism in his novel McTeague is at once compromised and sustained by his use of racial stereotypes. I begin by defining the term "nativism," and go on to clarify Norris's relationship to the nativist movement in America. I also suggest that Norris relies on racial stereotyping not only as a strategy for ordering the complex milieu of turn-of-the-century San Francisco, but as a way of limiting his characters' ability to engage their environment in meaningful ways. Moreover, I argue that Norris's use of racial stereotypes is primarily responsible for compromising his naturalism because his stereotypical rendering of ethnic minorities subordinates his belief in objectivity to his ethnocentrism.","abstract_has_math":false,"creators":["Muller, Luke B."],"institution":"University of Saskatchewan","degree_name":"Master of Arts (M.A.)","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1999,"date_issued":"1999","date_published":"1999","updated_at":"2026-07-24T04:27:13Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10388/7877","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Muller, Luke B."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-05-25T20:24:45Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-05-25T20:24:45Z"]},{"key":"dc:date.issued","label":"Date","values":["1999"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Saskatchewan"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10388/7877"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis explores the ways in which Frank Norris's naturalism in his novel McTeague is at once compromised and sustained by his use of racial stereotypes. I begin by defining the term "nativism," and go on to clarify Norris's relationship to the nativist movement in America. I also suggest that Norris relies on racial stereotyping not only as a strategy for ordering the complex milieu of turn-of-the-century San Francisco, but as a way of limiting his characters' ability to engage their environment in meaningful ways. Moreover, I argue that Norris's use of racial stereotypes is primarily responsible for compromising his naturalism because his stereotypical rendering of ethnic minorities subordinates his belief in objectivity to his ethnocentrism."]},{"key":"dc:title","label":"Title","values":[""America Beckons, Americans Repel": Nativism, Racial Stereotypes, and the Naturalistic Impulse in Frank Norris's McTeague"]}]}],"canonical_facts":{"dc:creator":["Muller, Luke B."],"dc:date.accessioned":["2017-05-25T20:24:45Z"],"dc:date.available":["2017-05-25T20:24:45Z"],"dc:date.issued":["1999"],"dc:description.abstract":["This thesis explores the ways in which Frank Norris's naturalism in his novel McTeague is at once compromised and sustained by his use of racial stereotypes. I begin by defining the term "nativism," and go on to clarify Norris's relationship to the nativist movement in America. I also suggest that Norris relies on racial stereotyping not only as a strategy for ordering the complex milieu of turn-of-the-century San Francisco, but as a way of limiting his characters' ability to engage their environment in meaningful ways. Moreover, I argue that Norris's use of racial stereotypes is primarily responsible for compromising his naturalism because his stereotypical rendering of ethnic minorities subordinates his belief in objectivity to his ethnocentrism."],"dc:identifier.uri":["https://hdl.handle.net/10388/7877"],"dc:title":[""America Beckons, Americans Repel": Nativism, Racial Stereotypes, and the Naturalistic Impulse in Frank Norris's McTeague"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts (M.A.)"],"thesis:institution_name":["University of Saskatchewan"]},"updated_at":"2026-07-24T04:27:13Z"}