{"id":{"repo_id":"royalroads","oai_identifier":"oai:null:10170/374"},"canonical_url":"https://search.dev.ndltd.org/etd/royalroads/oai:null:10170/374","repository":{"repo_id":"royalroads","name":"Royal Roads University","base_url":"https://www.viurrspace.ca/server/oai/request"},"display":{"title":"Dying to be seen : an interpretive study of porcelain portraits on grave markers","abstract":"This article explores the roles that porcelain portraits on grave markers play in identity construction and performance. Through semi-structured interviews, the biographies of five individuals are examined and then compared to determine norms or differences regarding their views on sepulchral photographs as a form of memorialization. While the decision to display a gravestone portrait could simply be a long-standing cultural practice, this interpretivist study indicates that the role of photo-tombstones is negotiated through a hybridization process involving religious syncretism, cultural convergence, or familial expectations. The role of photography as material culture is also examined, both as a metonymic replacement for the deceased and for its links to memory recall and remembrance.","abstract_html":"This article explores the roles that porcelain portraits on grave markers play in identity construction and performance. Through semi-structured interviews, the biographies of five individuals are examined and then compared to determine norms or differences regarding their views on sepulchral photographs as a form of memorialization. While the decision to display a gravestone portrait could simply be a long-standing cultural practice, this interpretivist study indicates that the role of photo-tombstones is negotiated through a hybridization process involving religious syncretism, cultural convergence, or familial expectations. The role of photography as material culture is also examined, both as a metonymic replacement for the deceased and for its links to memory recall and remembrance.","abstract_has_math":false,"creators":["Brooks, Patrick J."],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Vannini, Phillip"],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-09-16T16:58:37Z","date_published":"2010-09-16T16:58:37Z","updated_at":"2026-08-21T22:21:56Z","subjects":["Sepulchral monuments","Portrait photography","Photographs on porcelain","Memorialization","Cultural fusion and the arts","Syncretism (Religion)","Identity (Psychology)","Interviews (Research methodology)"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10170/374","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"source_record":{"url":"https://www.viurrspace.ca/server/oai/request?verb=GetRecord&metadataPrefix=dim&identifier=oai%3Anull%3A10170%2F374","prefix":"dim"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Vannini, Phillip"]},{"key":"dc:creator","label":"Author","values":["Brooks, Patrick J."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2010-09-16T16:58:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2010-09-16T16:58:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2010-09-16T16:58:37Z"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Sepulchral monuments","Portrait photography","Photographs on porcelain","Memorialization","Cultural fusion and the arts","Syncretism (Religion)","Identity (Psychology)","Interviews (Research methodology)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10170/374"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This article explores the roles that porcelain portraits on grave markers play in identity construction and performance. Through semi-structured interviews, the biographies of five individuals are examined and then compared to determine norms or differences regarding their views on sepulchral photographs as a form of memorialization. While the decision to display a gravestone portrait could simply be a long-standing cultural practice, this interpretivist study indicates that the role of photo-tombstones is negotiated through a hybridization process involving religious syncretism, cultural convergence, or familial expectations. The role of photography as material culture is also examined, both as a metonymic replacement for the deceased and for its links to memory recall and remembrance."]},{"key":"dc:title","label":"Title","values":["Dying to be seen : an interpretive study of porcelain portraits on grave markers"]}]}],"canonical_facts":{"dc:contributor.advisor":["Vannini, Phillip"],"dc:creator":["Brooks, Patrick J."],"dc:date.accessioned":["2010-09-16T16:58:37Z"],"dc:date.available":["2010-09-16T16:58:37Z"],"dc:date.issued":["2010-09-16T16:58:37Z"],"dc:description.abstract":["This article explores the roles that porcelain portraits on grave markers play in identity construction and performance. Through semi-structured interviews, the biographies of five individuals are examined and then compared to determine norms or differences regarding their views on sepulchral photographs as a form of memorialization. While the decision to display a gravestone portrait could simply be a long-standing cultural practice, this interpretivist study indicates that the role of photo-tombstones is negotiated through a hybridization process involving religious syncretism, cultural convergence, or familial expectations. The role of photography as material culture is also examined, both as a metonymic replacement for the deceased and for its links to memory recall and remembrance."],"dc:identifier.uri":["http://hdl.handle.net/10170/374"],"dc:subject":["Sepulchral monuments","Portrait photography","Photographs on porcelain","Memorialization","Cultural fusion and the arts","Syncretism (Religion)","Identity (Psychology)","Interviews (Research methodology)"],"dc:title":["Dying to be seen : an interpretive study of porcelain portraits on grave markers"]},"updated_at":"2026-08-21T22:21:56Z"}